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Audio Communication GroupSteffen Lepa

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Dr. phil. Steffen Lepa M.A.

Lupe

Scientific collaborateur in cluster-of-excellence research project Medium und Emotion

Leader of research project:
"Survey Musik und Medien. Empirische Basisdaten und theoretische Modellierung der Mediatisierung alltäglicher Musikrezeption in Deutschland"


Office hours: Tuesdays 12-14h (Room H 2001 E)
If you are planning a visit, please send me an email in advance!


Contact:

E-Mail: steffen.lepa AT tu-berlin.de
Phone: +49 30 314 29313
Telefax: +49 30 314 21143

Private website

Research interests

  • Media reception / media use
  • Media education / instructional design
  • Social research methodology
  • Computer-based research and analysis instruments
  • Neurocognitive social media psychology
  • Bologna process and study programmee evaluation
  • Digital Cultures and media philosophy
  • Sound design, film music, multimedia production
  • youth culture / adolescence research

 

 

Publications

Alien Voices: The Sonic Construction of Foreignness in Science Fiction Film
Citation key preus_alien_2012
Author Preuß, Philipp and Lepa, Steffen
Title of Book Electrified Voices: Medial, Socio-Historical and Cultural Aspects of Voice Transfer
Pages 343–358
Year 2012
ISBN 978-3-8471-0024-9
Address Göttingen
Editor Zakharine, Dmitri and Meise, Nils
Publisher Vandenhoeck & Ruprecht
Abstract The article addresses the means, types and narrative functions of voice design in American science fiction cinema concerning the sound of the alien characters’ voices. Historically, the figure of the extraterrestrial may be understood as a narrative device for negotiating the legitimacy or illegitimacy of ways of dealing with foreigners of other cultures if not also in a broader sense as a cin-ematic device of negotiating about how to cope with cultural diversity per se. Our article deals with the question of how filmmakers and audio engineers of American movies historically applied different techniques of voice design at their disposal as a means for lending the visual foreignness of alien film characters an acoustical expression. In addition to a typological analysis of dominant audible strategies of electro‐acoustical alienation of character voices and the technical means of their production we also exemplarily analyze three blockbuster movies of different historical epochs to discuss in which aspect the surrounding socio‐political climate might have shaped the way and degree in which sonic alienation was technically put on stage within the auditive modality.
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Curriculum Vitae

since 2012
Project leader of national-funded research project “Survey Musik und Medien. Empirische Basisdaten und theoretische Modellierung der Mediatisierung alltäglicher Musikrezeption in Deutschland” as part of the DFG-priority programme DFG-Schwerpunktprogramms “Mediatisized Worlds” .

since 2010
Postdoc researcher at the Audio Communication Group, Institute for Language and Communication at Technical University of Berlin, in the research project “Medium und Emotion” as part of the Berlin Cluster of Excellence network “Languages of Emotion

2009 – 2010
Teaching appointment for questionaire design and graphical data analysis with SPSS at the Faculty for Education and Social Sciences at Oldenburg University

2009 – 2010
Scientific lecturer (social research methodology) at the Institute for Pedagogics der Universität Oldenburg

2009 – 2010
Teaching appointment for multivariate statistics at the Faculty for Education and Social Sciences at Oldenburg University

September 2009
Promotion to a Doctor of Philosophy (“summa cum laude”) by the Faculty for Education and Social Sciences of Oldenburg University with the dissertation thesis:
“Jenseits des Films. Quantitativ-inhaltsanalytische Rekonstruktion von filmischen Verstehens- und Aneignungsprozessen mit Hilfe der Postrezeptiven Lesartenanalyse (PLA)”, supervised by Prof. Yvonne Ehrenspeck (general pedagogics) und Prof. Bernard Kittel (social research methodology)

2007 – 2010
Scientific lecturer (media education, social research methodology) at the Institute for Pedagogics at Oldenburg University

2007 – 2009
Teaching appointment for statistics with SPSS at the Faculty for Education and Social Sciences at Oldenburg University

2005 – 2009
Teaching appointment for digital audio editing at Braunschweig University of Fine Arts

2005 – 2007
Scientific research assistant in the national funded research project “Kommunikatbildungsprozesse Jugendlicher zur Todesthematik und Filmische Instruktionsmuster” at the Arbeitsbereich “Philosophie der Erziehung” (Prof. Dieter Lenzen) at Freien Universität Berlin

2005 – 2006
Teaching appointment for information psychology at the Ostfalia University of Applied Sciences

2003 – 2005
Master Study of Media Management at the Hannover University of Music, Drama and Media (Master of Arts degree, final grade: 1,5 / ECTS-Grade B – very good)

2003 – 2005
Responsible leader of the digital audio studio of the Central Media Service Unit at Braunschweig University of Fine Arts

2002
Student research assistent at the BmBF/MWK-funded research project “CRIMP – Criteria for Evaluation of Audiovisuals in Multimedia Production“, of the Research Centre L3S, University of Hannover

1998 – 2003
Master study of Media Studies, Psychology and Media Technology at the Technical University of Braunschweig and Braunschweig University of Fine Arts (Master of Arts degree with final grade: 1,3)

1997 – 1998
Alternative civilian service at the daycare house for the elderly disabled of Lebenshilfe gGmbH, Braunschweig

1997
University entrance diploma (“Abitur”) in English, Music, History (bilingual) und Computer Science at the Gymnasium Ricarda-Huch-Schule, Braunschweig, Germany (final grade: 1,8)

born on July, 30th 1978 in Braunschweig, Lower Saxony, Germany.

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