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TU Berlin

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Dr. Henrik von Coler

Lupe

Kontakt

E-Mail: voncoler[at].tu-berlin.de
Telefon: 030-314 22327
Sprechzeiten: nach Absprache
Raum: EN 323

Aktuelle Projekte

  • Technische und künstlerische Leitung des Elektronischen Studios
  • Sound Synthesis
  • Elektronisches Orchester
  • Hörraum im Humboldt Forum
  • Network Systems for Music Interaction

Lehrveranstaltungen

  • Sound Synthesis
  • Network Systems for Music Interaction
  • Electronic Orchestra

Publikationen

  •  Henrik von Coler, Steffen Lepa, and Stefan Weinzierl. User-defined mappings for spatial sound synthesis. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). 2020.
  • Henrik von Coler, Tonnätt, Nils, Vincent Kather, and Chris Chafe. Sprawl: a network system for enhanced interaction in musical ensembles. In Proceedings of the 18th Linux Audio Conference. 2020.
  • Nicolas D'aleman Arango, Julia von Thienen, and Henrik von Coler. The brainwave virtual instrument: musical improvisation andbrainwave sonification via faust programming. In Proceedings of the 2nd International Faust Conference. 2020.
  • H. von Coler, "STATISTICAL SINUSOIDAL MODELING FOR EXPRESSIVE SOUND SYNTHESIS", in Proc. of the  Int. Conference on Digital Audio Effects (DAFx 2019),  Birmingham, UK, 2019
  • H. von Coler, "A Jack-based Application for Spectro-Spatial Additive Synthesis," in Proceedings of the 17thLinux Audio Conference (LAC-19), Stanford University, USA, 2019.
  • H. von Coler, M. Götz, and S. Lepa, "Parametric Synthesis of Glissando Note Transitions – A user Study in a Real-Time Application," in Proc. of the 21st Int. Conference on Digital Audio Effects (DAFx-18), 2018.
  • H. von Coler, "TU-Note Violin Sample Library – A Database of Violin Sounds with Segmentation Ground Truth," in Proc. of the 21st Int. Conference on Digital Audio Effects (DAFx-18), 2018.
  • V. Grimaldi, C. Böhm, S. Weinzierl, and H. von Coler, "Parametric Synthesis of Crowd Noises in Virtual Acoustic Environments," in Audio Engineering Society Convention 142, 2017.
  • H. von Coler, G. Treindl, H. Egermann, and S. Weinzierl, "Development and Evaluation of an Interface with Four-Finger Pitch Selection," in Audio Engineering Society Convention 142, 2017.
  • H. von Coler and D. Runge, "Teaching Sound Synthesis in C/C++ on the Raspberry Pi ," in Proceedings of the Linux Audio Conference, 2017.
  • H. von Coler, "Introducing Waveform Distribution Moments for Audio Content Analysis," in AES Convention:136, 2014.
  • H. von Coler and A. Lerch, "CMMSD: A Data Set for Note-Level Segmentation of Monophonic Music," in Proceedings of the AES 53rd International Conference on Semantic Audio, 2014.
  • H. von Coler, "Expressivity -- Considerations Between Musicology, Sound Syndthesis and Other Disciplines," , Berlin, 2014.
  • M. Brech and H. von Coler, "The 'Halaphon' and its use in Luigi Nono's 'Prometeo' in Venice," , Berlin, 2014
  • A. Lykartsis, A. Pysiewicz, H. von Coler, and S. Lepa, "The Emotionality of Sonic Events: Testing the Geneva Emotional Music Scale (GEMS) for Popular and Electroacoustic Music," Proceedings of the 3rd international conference on music & emotion (icme3), jyväskylä, finland, 11th-15th june 2013. geoff luck & olivier brabant (eds.). isbn 978-951-39-5250-1, 2013.
  • H. von Coler, S. Sundaram, R. Schleicher, and G. Curio, "Towards the influence of vibration on evaluation of speech utterances in mobile devices," in WASPAA, 2011, pp. 297-300.
  • H. von Coler and A. Röbel, "VIBRATO DETECTION USING CROSS CORRELATION BETWEEN TEMPORAL ENERGY AND FUNDAMENTAL FREQUENCY," Aes convention:131, 2011.

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