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TU Berlin

Inhalt des Dokuments

Dr. Henrik von Coler

Henrik von Coler
Lupe

Contact

E-Mail: voncoler[at].tu-berlin.de
Phone: +49 30-314 22327
Office Hours: On request
Room: EN 323

Publications

  • von Coler, H., Schuladen, P., & Tonnätt, N. (2021). Seamless integration of spatial sound reproduction methods. In Proceedings of the international computer music conference. Santiago, Chile.
  • Schlesinger, A., von Coler, H., Berger, J., & Weinzierl, S. (2021). The transformation of archeological sites into an exhibition space – project report on an immersive installation. In Proceedings of the international conference on immersive and 3D audio (I3DA).
  • D’aleman Arango, N., von Thienen, J., & von Coler, H. (2020). The brainwave virtual instrument: Musical improvisation and brainwave sonification via faust programming. In Proceedings of the 2nd international faust conference. Saint-Denis, France.
  • von Coler, H., Tonnätt, N., Kather, V., & Chafe, C. (2020). Sprawl: A network system for enhanced interaction in musical ensembles. In Proceedings of the linux audio conference. Talence, France (Online).
  • von Coler, H., Lepa, S., & Weinzierl, S. (2020). User-defined mappings for spatial sound synthesis. In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME). Birmingham, UK (Online).
  • von Coler, H. (2019a). A JACK-based application for spectro-spatial additive synthesis. In Proceedings of the 17th Linux Audio Conference (LAC-19). Stanford University, CA, USA.
  • von Coler, H. (2019b). A Jack-based Application for Spectro-Spatial Additive Synthesis. In Proceedings of the 17th Linux Audio Conference (LAC-19). Stanford University, USA.
  • von Coler, H. (2018a). Statistical sinusoidal modeling for expressive sound synthesis. In Proceedings of the 22nd international conference on Digital Audio Effects (DAFx). Aveiro, Portugal.
  • von Coler, H. (2018b). TU-Note Violin Sample Library – A Database of Violin Sounds with Segmentation Ground Truth. In Proceedings of the 21st International Conference on Digital Audio Effects (DAFx). Aveiro, Portugal.
  • von Coler, H., Götz, M., & Lepa, S. (2018). Parametric Synthesis of Glissando Note Transitions – A user Study in a Real-Time Application. In Proceedings of the 21st International Conference on Digital Audio Effects (DAFx). Aveiro, Portugal.
  • Weinzierl, S., Lepa, S., Schultz, F., Detzner, E., von Coler, H., & Behler, G. (2018). Sound power and timbre as cues for the dynamic strength of orchestral instruments. The Journal of the Acoustical Society of America, 144 (3), 1347–1355.
  • Grimaldi, V., Böhm, C., Weinzierl, S., & von Coler, H. (2017). Parametric Synthesis of Crowd Noises in Virtual Acoustic Environments. In Audio Engineering Society Convention 142. Audio Engineering Society.
  • von Coler, H. & Runge, D. (2017). Teaching Sound Synthesis in C/C++ on the Raspberry Pi. In Proceedings of the Linux Audio Conference. Saint-Etienne.
  • von Coler, H., Treindl, G., Egermann, H., & Weinzierl, S. (2017). Development and Evaluation of an Interface with Four-Finger Pitch Selection. In Audio Engineering Society Convention 142. Audio Engineering Society.
  • Brech, M. & von Coler, H. (2015). Aspects of space in Luigi Nono’s Prometeo and the use of the Halaphon. In M. Brech & R. Paland (Eds.), Compositions for audible space (pp. 193–204). Music and Sound Culture. transctript
  • Brech, M. & von Coler, H. (2014). The Halaphon and its use in Luigi Nono’s ’Prometeo’ in Venice. In CIM14 - 9th Conference on Interdisciplinary Musicology. Berlin.
  • von Coler, Henrik. (2014). Introducing Waveform Distribution Moments for Audio Content Analysis. In Proceedings of the 136rd Audio Engineering Society Convention. Berlin, Germany.
  • von Coler, H. (2014a). Expressivity – Considerations Between Musicology, Sound Syndthesis and Other Disciplines. CIM14 - 9th Conference on Interdisciplinary Musicology. Berlin.
  • von Coler, H. (2014b). Musical expressivity - considerations between sound synthesis, musicology and other disciplines. In Proceedings of the 9th Conference on Interdisciplinary Musicology - CIM14 (pp. 122–125). Berlin, Germany.
  • von Coler, H. & Lerch, A. (2014). CMMSD: A Data Set for Note-Level Segmentation of Monophonic Music. In Proceedings of the AES 53rd International Conference on Semantic Audio.
  • Lykartsis, Athanasios and Pysiewicz, Andreas and von Coler, Henrik and Lepa, Steffen. (2013). The Emotionality of Sonic Events: Testing the Geneva Emotional Music Scale (GEMS) for Popular and Electroacoustic Music. In Proceedings of the 3rd International Conference on Music & Emotion (ICME3). Jyväskylä, Finland.
  • von Coler, Henrik and Sundaram, Shiva and Schleicher, Robert and Curio, Gabriel. (2011). Towards the influence of vibration on evaluation of speech utterances in mobile devices. In Applications of Signal Processing to Audio and Acoustics (WASPAA), 2011 IEEE Workshop (pp. 297–300). New Paltz, NY, USA.
  • von Coler, H. & Röbel, A. (2011). Vibrato detection using cross correlation between temporal energy and fundamental frequency. In Proceedings of the 131st Audio Engineering Society Convention. New York, USA.

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