TU Berlin

Audio Communication GroupProf. Dr. Stefan Weinzierl

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Prof. Dr. Stefan Weinzierl

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Contact Information:

Audio Communication Group
Sekr. EN-8
Einsteinufer 17
D-10587 Berlin


Telephone: +49 30 - 314 253 59

Office Hours:

Tuesday 12-14 Uhr
Appointments made with Ms. Grasse (Raum EN 321):


Telephone: +49 30 - 314 222 36

Fields of Research

Virtual Acoustics (binaural technology, sound field synthesis), Room Acoustics, Audio technology, Auditory perception, Musical Acoustics

Courses

Introduction to Digital Signal Processing, Audio Technology I: Electro-acoustics and Room Acoustics, Virtual Acoustics, Music Acoustics

News (Selection)

3SAT reports on RE-SOUND Beethoven

On December 3, 2016, 3SAT ran a feature on the Orchester Wiener Akademie and its director Martin Haselböck reporting on the concert series RE-SOUND Beethoven in which the orchestral works of L.v. Beethoven were presented in their historical performance practice in the original staging rooms of Beethovenʼs time. The project is based on Stefan Weinzierlʼs research on the room acoustics and symphonic presentation practice during the Beethoven era (Excerpt).

Video


Die WELT reports on the auralisation of the Forum Romanum

On June 18th, 2016, Die WELT reports on the acoustic reconstructions of ancient public spaces, which were developed in cooperation with the Institute for Archaeology and Culture Science of the HU Berlin in the context of the interdisciplinary research project “Image - Knowledge - Design”.

PDF / www.welt.de


Forschung und Lehre reports on Audio Communication

The journal Forschung & Lehre (trans. Research and Teaching) reports on the Audio Communication Group in the April 2015 issue.

PDF

Technology Review reports on the research of Virtual Acoustics

The journal Technology Review reports on the latest research in Virtual Acoustics, as well as the department of Audio Communication of the TU Berlin in the December 2014 issue.

PDF


forschung reports on the research group SEACEN

The magazine German Research of the german research community reports on the DFG research unit “Simulation and Evaluation of Acoustic Environments”, which is directed by Stefan Weinzierl (SEACEN, FOR 1557).

PDF

Vita

Born on June 6, 1967 in Bamberg | Diploma in Physics at the University of Erlangen and the TU Berlin, 1992 | Diploma in Music Production (Tonmeister) at the University of the Arts, Berlin, 1994 | Fellow of the Studienstiftung des deutschen Volkes | Studies in Musicology at the University of California at Berkeley, 1993-95 | Doctorate in the field of Music Acoustics with an acoustic reconstruction of the original performance rooms of L.v. Beethoven in Vienna, with Prof. Helga de la Motte-Haber and Jürgen Meyer, 1999.

1993-2000 Pianist and accompanist. Tours and CD-levelling with Tim Fischer, Jocelyn B. Smith, Yamil Borges, Irmgard Knef | Music critic for the Berliner Tagesspiegel, amongst others.

Since 1993, freelance Producer and Sound Engineer for Deutsche Grammophon (DGG), Teldec Classics, ars musici, CPO, Ondine, assai, Ambitus, Händler, Classic, Bayerischer Rundfunk, Südwestfunk, and Radio Svizzera Italiana (rsi) in Lugano, amongst others. German Record Prize, 1997.

1998-2003 Lecturer of Music Production and Digital Audio at the University of the Arts, Berlin.

2003 Appointed to professorship for “Theory of Music Production“ at the Erich-Thienhaus-Institute of the Hochschule für Musik Detmold.

Since 2004 Professor for Audio Communication at the TU Berlin.

Since 2007 Head of the Audio Communication Group and the mastes program “Audio Communication and Technology (M.Sc.) at the TU Berlin.

Since 2009 Dean of research, from 2012-2015 dean of Faculty I

Since 2001 Spokesperson for the DFG-Research group "Simulation and Evaluation of Acoustic Environments (SEACEN, FOR 1557)"

Since 2015 Head of the Hybrid-Plattform, Coordinator of the cooperation between the TU Berlin und University of the Arts, Berlin.

Since 2015 Coordinator of the European research project "Artist to Business to Business to Consumer Audio Branding System (ABC_DJ)", funded by the Programm Horizon2020 (ICT-19a, 688122).

Since 2017 coordinator and spokesman of the consortium SHAPING SPACE, submitted as application for a cluster of excellence by UdK Berlin and TU Berlin.

Stefan Weinzierl works as consultant in the field of room acoustics, for example, currently for the planning of the new concert hall in the Munich Werksviertel.

See also: Stefan Weinzierl (Wikipedia)

Publications

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Straube, F.; Schultz, F.; Bonillo, D.A.; Weinzierl, S. (2018). An Analytical Approach for Optimizing the Curving of Line Source Arrays. J. Audio Eng. Soc. 66(1/2), 4–20.


Straube, F.; Schultz, F.; Makarski, M.; Weinzierl, S. (2016). Optimized Driving Functions for Curved Line Source Arrays Using Modeled and Measured Loudspeaker Data. Fortschritte der Akustik: Tagungsband d. 42. DAGA 1136–1139.


Straube, F.; Schultz, F.; Makarski, M.; Weinzierl, S. (2018). Mixed Analytical-Numerical Filter Design for Optimized Electronic Control of Line Source Arrays. J. Audio Eng. Soc. 66(9), 690–702.


Straube, F.; Schultz, F.; Makarski, M.; Spors, S.; Weinzierl, S. (2015). Evaluation Strategies for the Optimization of Line Source Arrays. Proc. of the 59th AES Int. Conf. On Sound Reinforcement 1–20.


Supper, Martin and Weinzierl, Stefan (2008). Sound in space - space in sound: Proceedings. Berlin Univ.-Verl. der TU, Univ.-Bibliothek, .


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von Berg, M. and Steffens, J. and Müllensiefen, D. and Weinzierl, S. (2020). Gibt es raumakustische Hörexpertise?. Fortschritte der Akustik: Tagungsband d. 46. DAGA, Nürnberg, Germany 858–861.


von Loesch, Heinz and Brinkmann, Fabian (2011). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006). In: von Loesch, Heinz and Weinzierl, Stefan (Ed.) Gemessene Interpretation. Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen Mainz et al.: Schott, (pp. 83–100).


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Weinzierl, Stefan and Lepa, Steffen (2017). A room acoustical quality inventory. .


Weinzierl, S. and Lepa, S. and Ackermann, D. (2018). A measuring instrument for the auditory perception of rooms. The Room Acoustical Quality Inventory (RAQI). Journal of the Acoustical Society of America 144(3), 1245–1257.


Weinzierl, S. and Lepa, S. and Schultz, F. and Detzner, E. and von Coler, H. and Behler, G. (2018). Sound power and timbre as cues for the dynamic strength of orchestral instruments. Journal of the Acoustical Society of America 144(3), 1347–1355.


Weinzierl, Stefan (2014). Schallereignisse und Musik. Typologie, Beschreibung, Analyse. In: Weinzierl, Stefan (Ed.) Akustische Grundlagen der Musik Laaber: Laaber, (pp. 3–30).


Weinzierl, Stefan and Büttner, Clemens (2016). Conditions acoustiques at pratiques théȃtrales dans les théȃtres italiens de la Renais-sance. In: Larrue, Jean-Marc and Mervant-Roux, Marie-Madeleine (Ed.) Le son du théâtre Paris: CNRS Éditions, (pp. 75–90).


Weinzierl, Stefan (2008). Handbuch der Audiotechnik. Berlin and Heidelberg: Springer.


Weinzierl, Stefan (2013). Die Sinfonie als Ansprache an ein Massenpublikum. Konzertformate, Publikum und sinfonische Aufführungspraxis der Beethovenzeit. In: Korte, Oliver; Riethmüller Albrecht (Ed.) Beethovens Orchestermusik und Konzerte. Das Handbuch Laaber: Laaber, (pp. 49–70).


Weinzierl, Stefan and Sanvito, P. (2013). L'Acustica del Teatro Olimpico di Vicenza.. Odeo olimpico. Memorie dell'Accademia Olimpica di Vicenza (28), 463–492.


Weinzierl, S. and Goertz, A. (2017). Technische Grundlagen der Beschallung von Räumen.. In: Rötter, Günther (Ed.) Handbuch Funktionale Musik Berlin and Wiesbaden: Springer Fachmedien, (pp. 91–120).


Weinzierl, Stefan (2011). Die Sinfonie als Ansprache an ein Massenpublikum. Konzertformate, Publikum und sinfonische Aufführungspraxis der Beethovenzeit.. MusikTheorie – Zeitschrift für Musikwissenschaft 26(2), 157–176.


Weinzierl, Stefan and Giese, André and Lindau, Alexander (2009). Generalized Multiple Sweep Measurement. AES 126th Convention .


Weinzierl, Stefan (2008). Virtuelle Akustik und Klangkunst. Fortschritte der Akustik - DAGA 2008 .


Weinzierl, Stefan and Tazelaar, Kees (2008). Raumsimulation und Klangkunst. Fortschritte der Akustik - DAGA 2008 30–31.


Weinzierl, Stefan (2008). Die Liebhaber Concerte der Saison 1807/08 als Prototyp des modernen Symphoniekonzerts. In: Jung-Kaiser, Ute and Kruse, Matthias (Ed.) 1808 - ein Jahr mit Beethoven Hildesheim and and New York: G. Olms, (pp. 249–266).


Weinzierl, Stefan (2009). Live Entertainment Technology. In: Bullinger, Hans-Jörg (Ed.) Technology Guide: Principles, Applications, Trends Berlin: Springer, (pp. 454–457).


Weinzierl, Stefan and Maempel, Hans-Joachim (2011). Zur Erklärbarkeit der Qualitäten musikalischer Interpretationen durch akustische Signalmaße. In: Loesch, Heinz von and Weinzierl, Stefan (Ed.) Gemessene Interpretation - Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen Mainz: Schott Verlag, (pp. 213–236).


Weinzierl, Stefan and Maempel, Hans-Joachim (2005). Tonmeisterausbildung in Berlin und Detmold – Evaluation der Studienverläufe anhand von Leistungsprofilen. 23. Tonmeistertagung - VDT International Convention .


Weinzierl, Stefan and Schultz, Frank and Sanvito, Paolo (2011). Die Akustik des Teatro Olimpico in Vicenza. Fortschritte der Akustik - DAGA 2011 163–164.


Weinzierl, Stefan and Rosenheinrich, Hagen and Blickensdorff, Johannes and Horn, Michael and Lindau, Alexander (2010). Die Akustik der Konzertsäle im Leipziger Gewandhaus. Geschichte, Rekonstruktion und Auralisation. Fortschritte der Akustik - DAGA 2010 1045–1046.


Weinzierl, Stefan (2008). Aufnahmeverfahren. In: Weinzierl, Stefan (Ed.) Handbuch der Audiotechnik Berlin and Heidelberg: Springer, (pp. 747–812).


Weinzierl, S. and Sanvito, P. and Schultz, F. and Büttner, C. (2015). The Acoustics of Renaissance Theatres in Italy. Acta Acustica united with Acustica 101(3), 632–641.



Weinzierl, S. and Vorländer, M. and Zotter, F. and Maempel, H.-J. and Lindau, A. (2014). Proceedings of the EAA Joint Symposium on Auralization and Ambisonics 2014. Berlin: Universitätsbibliothek Technische Universität Berlin.


Weinzierl, S. (2014). Akustische Grundlagen der Musik. Laaber: Laaber-Verlag.


Weinzierl, S. (2014). Audiotechnik. In: Reuter, Christoph and Auhagen, Wolfgang and Altenburg, Detlef (Ed.) Musikalische Akustik Laaber: Laaber-Verl., (pp. ).


Weinzierl, S. (2014). Der Raum. In: Reuter, Christoph and Auhagen, Wolfgang and Altenburg, Detlef (Ed.) Musikalische Akustik Laaber: Laaber-Verl., (pp. ).


Weinzierl, S. and Sanvito, P. (2013). L'Acustica del Teatro Olimpico di Vicenza. Odeo olimpico. Memorie dell'Accademia Olimpica di Vicenza (28), .


Weinzierl, S. (1996). Die Akustik der Konzerträume Beethovens in Wien. 19. Tonmeistertagung – VDT International Convention 843–865.


Weinzierl, S. (1998). Akustische Simulation der Konzerträume Beethovens. Fortschritte der Akustik – DAGA 698–699.


Weinzierl, S. (1998). Zur Klangbalance klassischer Oratorienwerke. 20. Tonmeistertagung – VDT International Convention 604–616.



Weinzierl, S. and Franke, C. (2003). 'Lotte, ein Schwindel!' – Geschichte und Praxis des Musikschnitts am Beispiel von Beethovens 9. Symphonie. 22. Tonmeistertagung – VDT International Convention .


Weinzierl, Stefan (2014). Raumakustik musikalischer Aufführungsräume. In: Weinzierl, Stefan (Ed.) Akustische Grundlagen der Musik Laaber: Laaber-Verl, (pp. 477–494).


Weinzierl, Stefan (2014). Schallereignisse und Musik. Typologie, Beschreibung, Analyse. In: Weinzierl, Stefan (Ed.) Akustische Grundlagen der Musik Laaber: Laaber-Verl, (pp. 3–30).


Weinzierl, Stefan (2014). Zur Akustik musikalischer Schallquellen. Messverfahren – Modelle – Beschreibungsgrößen. In: Weinzierl, Stefan (Ed.) Akustische Grundlagen der Musik Laaber: Laaber-Verl, (pp. 177–196).


Weinzierl, Stefan and Vorländer, Michael and Behler, Gottfried and Brinkmann, Fabian and Coler, Henrik von and Detzner, Erik and Krämer, Johannes and Lindau, Alexander and Pollow, Martin and Schulz, Frank and Shabtai, Noam R. (2017). A Database of Anechoic Microphone Array Measurements of Musical Instruments. https://dx.doi.org/10.14279/depositonce-5861.2


Weinzierl, S. and Maempel, H.-J. (2012). Sind Hörversuche subjektiv? Zur Objektivität akustischer Maße. Fortschritte der Akustik: Tagungsband der 38. DAGA 315–316.


Weinzierl, Stefan and Lepa, Steffen (2017). RAQI Boston. .


Weinzierl, Stefan and Lepa, Steffen (2017). On the Epistemic Potential of Virtual Realities for the Historical Sciences. A Methodological Framework. In: Ariso, José Maria (Ed.) Augmented Reality: Reflections on Its Contribution to Knowledge Formation Berlin: De Gruyter, (pp. 61–80).


Werner, Tobias and Maempel, Hans-Joachim and Weinzierl, Stefan (2011). Zur Hörbarkeit nichtlinearer Verzerrungen bei Kondensatormikrofonen. 26th VDT International Convention 437–448.


Wiesener, Constantin and Flohrer, Tim and Lerch, Alexander and Weinzierl, Stefan (2010). Adaptive Noise Reduction for Real-time Applications. Proceedings of the 128th Audio Engineering Society Convention (Preprint \#8048) .


Wilczek, T. and Steffens, J. and Weinzierl, S. (2020). Zum Einfluss der Akustik auf die Qualität von Restaurants. Eine Feldstudie. Fortschritte der Akustik: Tagungsband d. 46. DAGA, Nürnberg, Germany 854–857.


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Christoph Böhm, David Ackermann, Stefan Weinzierl (2018). Eine mehrkanalige und nachhallfreie Aufnahme von Beethovens 8. Sinfonie. Fortschritte der Akustik – DAGA München : , (pp. 112–115).


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