An introduction to and development of the theory and practice of bicrophonics, - sound and music made by the journey you take, played with the space that you move through.
Bicrophonics is a new practice, discovered through the
application of portable digital technologies to the needs of composing
for outdoor spaces by using bicycles. Arising from electroacoustic
site specific composition and performance, as well as live,
multichannel, installation and durational works both in and out of
doors, bicrophonics allows another approach and specificity to working
with composition in context. The compositions that are made move
through space, not with a static audience, but with the audience that
is also moving through that space and its always changing soundscape.
This shifting duality creates a unique situation for every audience
member and every resultant composition and has also revealed an
extraordinary understanding in the essence and power of context in
This series of lectures and discursive seminars will offer an informative lab in which to study, research and investigate the history and concepts that have birthed this practice. From the choices of sound sources and compositional methods that feed it to the technological systems that have enabled it, enabling a contemporary and reflective understanding of social and technological space and a consideration of what art should we be making now. Anyone taking this course will be encouraged to take the practical series of accompanying workshops .
|Weekday/Time:||Monday/ 10 - 12h|
|Lecturer/tutor:||Kaffe Matthews  /
|Event number:||3135 L 785|
|Module:||Modul AKT-9 a/b/c
(Musikinformatik und Medienkunst)|
Benotung PäS oder Leistungsschein:
Referat / schriftliche
Ausarbeitung. Teilnahmeschein: Referat|
Registration: Registration for the seminar is done via a mailing list .
Below "Subscribing to Ak-matthews.biketheory" insert your mail address and full name (Attention: All subscribers without a full name will be ignored!) and optionally a password.
Attention: Only the first 20 registrations will be confirmed. Showing up at the first dates is nonetheless recommended (even if you have not been confirmed), as usually some students will choose something else, making room for others.
Information: Further information about the correct use of a mailing list can be obtained from the mailman wiki.
25.04.2016 (10:00 - 12:00): The background to bicrophonics: Air as medium, material, subtle intervention. Listening. Community radio, London 1990’s, net art, public art, live steaming, open source, free workshops. Radio Cycle...
02.05.2016 (10:00 - 12:00): The birth of bicrophonics: Not an app but free of the internet. Sonic bikes to sonic kayaks
09.05.2016 (10:00 - 12:00): Social and technological space: - Henri Lefebvre; psychogeographer Guy Debord and the situationists, Gaston Bachelard, Marshall Mcluhan, - the meaning of negative space.
23.05.2016 (10:00 - 12:00): Sound as object, considering the sociality of sound: R Murray Schafer to John Cage
30.05.2016 (10:00 - 12:00): A curious interest in control : a study and reflection on multichannel practices considering GRM - Paris, BEAST - UK, Maryanne Amacher - USA
06.06.2016 (10:00 - 12:00): Aural architecture, inside and out. B.Blesser and L.RuthSalter, LaBelle,
13.06.2016 (10:00 - 12:00): Which sound sources and why? Exploring the social and historical sound choice sources for on site composition in context.
1. individuals, society, community, methods of engagement.
2. human, geographic, geological, historical.
20.06.2016 (10:00 - 12:00): An introduction to sonification : what, why and how : considering a variety of approaches, both digital and analogue.
27.06.2016 (10:00 - 12:00): Sonification part2 : methods of
04.07.2016 (10:00 - 12:00): 4 approaches in space: Max Neuhaus, Bill Fontana, Janet Cardiff, Akio Suzuki