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Zur frühen Geschichte und Typologie der Klanginstallation: Klangkunst
Zitatschlüssel straebel_Straebel.2008e
Autor Straebel, Volker
Buchtitel Klangkunst
Seiten 24–46
Jahr 2008
ISBN 3883779539
Adresse München
Herausgeber Tadday, Ulrich
Verlag Edition Text+Kritik
Zusammenfassung In the 1960s, sound installation art emerged from different points of departure: concert installation (Erik Satie, La Monte Young) and concerts of extended duration (Happening and Fluxus, early works by Nam June Paik), concept art (Marcel Duchamp), sound relocation and radio (Maryanne Amacher, Max Neuhaus, Richard Maxfield, Bill Fontana, Wolf Vostell) and sculpture (sound sculpture, environment, installation art). Special attention is given to Satie's $\backslash$glqqMusique d'Ameublement$\backslash$grqq, John Cage's staging of Satie's $\backslash$glqqVexations$\backslash$grqq, Young's $\backslash$glqqDream House$\backslash$grqq, Paik being influenced by Karlheinz Stockhausen's $\backslash$glqqMomentform$\backslash$grqq and the early work by Amacher ($\backslash$glqqCity Links$\backslash$grqq) and Neuhaus. A typology of sound installation art is established.
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