TU Berlin

Fachgebiet AudiokommunikationPublications

Logo Fachgebiet Audiokommunikation

Inhalt des Dokuments

zur Navigation

Publications

A

Lukas Aspöck and Fabian Brinkmann and David Ackermann and Michael Vorlaender (2017). First international round robin on auralization: Results of the acoustical evaluation (A). The Journal of the Acoustical Society of America 141(5), 3856-3856.


Lukas Aspöck and Fabian Brinkmann and David Ackerman and Stefan Weinzierl and Michael Vorländer (2019). BRAS – Benchmark for Room Acoustical Simulation. https://dx.doi.org/10.14279/depositonce-6726.2


Lukas Aspöck and Fabian Brinkmann and David Ackermann and Stefan Weinzierl and Michael Vorländer (2018). Eine Datenbank zur Validierung von akustischen Simulationen. Fortschritte der Akustik - DAGA 2018 1337.


Manuel Anglada-Tort (2019). Commentary on Canonne (2019): Listening to Improvisation. Empirical Musicology Review 13(1-2), 16-20.


Manuel Anglada-Tort and Thomas Baker and Daniel Müllensiefen (2018). False memories in music listening: exploring the misinformation effect and individual difference factors in auditory memory. Memory , 1-16.


Manuel Anglada-Tort and Daniel Müllensiefen (2019). The Repeated Recording Illusion. Again & Again. Musical Repetition in Aesthetics, Analysis, and Experience .


Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2019). The Behavioral Economics of Music. Prague Conference on Behavioral Science (PCBS) .


Manuel Anglada-Tort and Heather Thueringer and Diana Omigie (2019). The busking experiment: A field study measuring behavioral responses to street music performances. Psychomusicology: Music, Mind, and Brain 29(1), 46-55.


Manuel Anglada-Tort and Daniel Müllensiefen (2016). The Song Remains the Same: Biases in Musical Judgements and the Illusion of Hearing Different Songs. Proceedings of the 14th International Conference of Music Perception and Cognition (ICMPC) .


Manuel Anglada-Tort and Daniel Müllensiefen (2017). Does the Fluency of Artists and Songs' Names Matter? The Effect of Linguistic Fluency on Evaluations of Music. Proceedings of the European Society for Cognitive Sciences of Music (ESCOM) .


Manuel Anglada-Tort and Katie Rose Sanfilippo (2018). Visualizing Music Psychology: Who, What, When, and Where?. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Der Einfluss der Herkunft von Musik auf deren ästhetische Bewertung und die erwarteten Nutzungskosten im Kontext der Werbung. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .


Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Consider the Source: The Effects of Source Bias on Professional Assessment of Music Quality and Worth. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Manuel Anglada-Tort and Daniel Müllensiefen (2017). The Repeated Recording Illusion: The Effects of Extrinsic and Individual Difference Factors on Musical Judgements. Music Perception 1(35), 94–117.


Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2018). Names and Titles Matter: The Impact of Linguistic Fluency and the Affect Heuristic on Aesthetics and Value Judgements of Music. Psychology of Aesthetics, Creativity, and the Arts , .


Anglada-Tort, Manuel and Keller, Steve and Steffens, Jochen and Müllensiefen, Daniel (2018). Consider the Source: The Effect of Source Bias on Professional and Consumer Evaluation of Music Aesthetics and Expected Cost in Advertising. submitted manuscript , .


Manuel Anglada-Tort and Amanda Krause and Adrian North (2019). Popular music lyrics and musicians' gender over time: A computational approach. Psychology of Music , .


Anglada-Tort, Manuel and Keller, Steve and Steffens, Jochen and Müllensiefen, Daniel (2018). Source-Effekte, ästhetische Bewertung und geschätzte Lizenzkosten im Kontext von Werbemusik. 34. Abstract-Band zur Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (DGM) .


Anglada-Tort, Manuel and Steffens, Jochen and Müllensiefen, Daniel (2018). Names and titles matter: The impact of linguistic fluency and the affect heuristic on aesthetic and value judgements of music. Psychology of Aesthetics, Creativity, and the Arts , .


Manuel Anglada-Tort and Katie Rose Sanfilippo (2019). Visualizing Music Psychology: A Bibliometric Analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017. Music & Science 2, 2059204318811786.


Ahnert, Wolfgang and Feistel, Stefan and Lentz, Tobias and Moldrzyk, Christoph and Weinzierl, Stefan (2004). Head-Tracked Auralization of Acoustical Simulation. AES 117th Convention .


Ackermann, David and Böhm, Christoph and Brinkmann, Fabian and Weinzierl, Stefan (2019). The Acoustical Effect of Musicians' Movements During Musical Performances. Acta Acustica united with Acustica 105(2), 356–367.


Ackermann, David and Böhm, Christoph and Weinzierl, Stefan (2017). On the numerical simulation of natural acoustic sound sources. The Journal of the Acoustical Society of America 141(5), 3997–3997.


Ackermann, David and Ilse, Maximilan and Grigoriev, Dmitry and Lepa, Steffen and Pelzer, Sönke and Vorländer, Michael and Weinzierl, Stefan (2018). A Ground Truth on Room Acoustical Analysis and Perception (GRAP). https://dx.doi.org/10.14279/depositonce-7003


Ackermann, David and Böhm, Christoph and Weinzierl, Stefan (2018). A Database on Musicians' Movements During Musical Performances. https://dx.doi.org/10.14279/depositonce-7469


Ackermann, David and Fiedler, Felicitas and Brinkmann, Fabian and Schneider, Martin and Weinzierl, Stefan (2020). On the Acoustic Qualities of Dynamic Pseudo-Binaural Recordings. 68(6) 418–427.


Abels, Norbert and Schmierer, Elisabeth (2012). Hans Werner Henze und seine Zeit. Laaber and Oberpf: Laaber.


(2010). Hearing a shakkei: the Japanese garden as an aural architecture. Collegium Helveticum, Zürich , .


(2014). Akustische Grundlagen der Musik. Laaber: Laaber.


Navigation

Direktzugang

Schnellnavigation zur Seite über Nummerneingabe