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TU Berlin

Inhalt des Dokuments

Publications

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Michael Fowler (2011). Transmediating a Japanese garden through spatial sound design. Leonardo Music Journal 21, 41–49.


Michael Fowler (2012). Reading John Cage's Variations III as a Process for Generating Proto-Architectural Form. Leonardo, Art Science Technology 45(1), 34–41.


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Lepa, Steffen and Hoklas, Anne-Kathrin and Guljamow, Martin and Weinzierl, Stefan (2013). Wie hören die Deutschen heute Musik? Trends und Basisdaten zur musikbezogenen Audiomediennutzung 2012 in Deutschland. Media Perspektiven (11), 545–553.


Lepa, Steffen (2015). Kulturelle Ökonomie und Urheberrecht im Zeitalter der digitalen Mediamorphose der Musik. Mediale Kontrolle unter Beobachtung 4(2), .


Manuel Anglada-Tort and Thomas Baker and Daniel Müllensiefen (2018). False memories in music listening: exploring the misinformation effect and individual difference factors in auditory memory. Memory , 1-16.


Guljamow, Martin and Lepa, Steffen and Weinzierl, Stefan (2013). Survey Musik und Medien 2012: Die Nutzung neuer digitaler Technologien und Angebote des alltäglichen Musikhörens durch Jugendliche. Merz - medien + erziehung (Heft 2013/6 - Aufwachsen in komplexen Medienwelten), 84–96.



Manuel Anglada-Tort and Katie Rose Sanfilippo (2019). Visualizing Music Psychology: A Bibliometric Analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017. Music & Science 2, 2059204318811786.


Egermann, Hauke and McAdams, Stephen (2013). Empathy and emotional contagion as a link between recognized and felt emotions in music listening. Music Perception 31(2), 139–156.


Manuel Anglada-Tort and Daniel Müllensiefen (2017). The Repeated Recording Illusion: The Effects of Extrinsic and Individual Difference Factors on Musical Judgements. Music Perception 1(35), 94–117.


Schwab-Felisch, Oliver (2014). The Butterfly and the Artillery: Models of Listening in Schenker and Gjerdingen. Music Theory and Analysis 1(1-2), 107–120.


Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2018). Understanding music-selection behavior via statistical learning. Music & Science 1(2), 205920431875595.


Egermann, Hauke and Sutherland, Mary Elizabeth and Grewe, Oliver and Nagel, Frederik and Kopiez, Reinhard and Altenmüller, Eckart (2011). Does music listening in a social context alter experience? A physiological and psychological perspective on emotion. Musicae Scientiae 15(3), 307–323.


Straebel, Volker (2011). Erfahrung des Abwesenden. Zu den jüngeren Arbeiten von Rolf Julius. MusikTexte 128(Feb. 2011), 64–65.




Weinzierl, Stefan (2011). Die Sinfonie als Ansprache an ein Massenpublikum. Konzertformate, Publikum und sinfonische Aufführungspraxis der Beethovenzeit.. MusikTheorie – Zeitschrift für Musikwissenschaft 26(2), 157–176.


Heinz von Loesch and Brinkmann, Fabian (2012). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006) [In russisch]. Musykalnaja Akademija (2), 88-96.


Heinz von Loesch and Brinkmann, Fabian (2012). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006) [In russisch]. Musykalnaja Akademija (2), 88-96.


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Schmierer, Elisabeth (2011). Mahlers Begriff des Humors und seine Umsetzung in den Wunderhorn-Liedern. Nachrichten zur Mahler-Forschung Wien: Internationale Gustav Mahler Gesellschaft, (pp. 56–72).


Hoklas, Anne-Kathrin and Lepa, Steffen (2015). Mediales Musikhören im Alltag am Beispiel des Plattenspielers: Auditive Kultur aus der Perspektive der praxeologischen Wisssenssoziologie. Navigationen - Zeitschrift für Medien- und Kulturwissenschaften 15(2), 127–143.


Lepa, Steffen and Seifert, Markus (2016). Embodied Listening Modes as Part of Habitual Music Media Orientations: Relating Young Adults’ Audio Technology Use with Their Music Socialization and Taste Preferences. Networking Knowledge: Journal of the MeCCSA Postgraduate Network 9(2), .


Brech, Martha (2011). Der Raum als Stimme: Resonanz und Reflexion als Gestaltungsmittel in der Klang- und Medienkunst. Neue Zeitschrift für Musik 2011(5), 40–43.


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Weinzierl, Stefan and Sanvito, P. (2013). L'Acustica del Teatro Olimpico di Vicenza.. Odeo olimpico. Memorie dell'Accademia Olimpica di Vicenza (28), 463–492.


Weinzierl, S. and Sanvito, P. (2013). L'Acustica del Teatro Olimpico di Vicenza. Odeo olimpico. Memorie dell'Accademia Olimpica di Vicenza (28), .


Straebel, Volker (2008). Aspects of Conceptual Composing. Open Space Magazine 10(Fall 2008), 67–78.




Michael Fowler (2010). The Ephemeral Architecture of Stockhausen's Pole für 2. Organised Sound 15(3), 185–197.


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Lepa, Steffen and Hoklas, Anne-Kathrin and Weinzierl, Stefan (2014). Discovering and interpreting audio media generation units: A typological-praxeological approach to the mediatization of everyday music listening. Participations - Journal of Audience & Reception Studies 11(2), 207–238.


Michael Fowler (2008). Finding Cage at Ry=oan-ji through a re-modeling of Variations II. Perspectives of New Music 47(1), 174–191.


Michael Fowler (2005). 3 Translations of O. Perspectives of New Music 43-44, 299–313.


Giordano, Bruno L and Egermann, Hauke and Bresin, Roberto (2014). The Production and Perception of Emotionally Expressive Walking Sounds: Similarities between Musical Performance and Everyday Motor Activity.. PloS one 9(12), e115587.


Schärer Kalkandjiev, Z. and Weinzierl, S. (2015). The influence of room acoustics on solo music performance. An experimental study. Psycholmusicology: Music, Mind and Brain 25(3), 195–207.


Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2018). Names and Titles Matter: The Impact of Linguistic Fluency and the Affect Heuristic on Aesthetics and Value Judgements of Music. Psychology of Aesthetics, Creativity, and the Arts , .


Anglada-Tort, Manuel and Steffens, Jochen and Müllensiefen, Daniel (2018). Names and titles matter: The impact of linguistic fluency and the affect heuristic on aesthetic and value judgements of music. Psychology of Aesthetics, Creativity, and the Arts , .


Greb, Fabian and Schlotz, Wolff and Steffens, Jochen (2017). Personal and situational influences on the functions of music listening. Psychology of Music , 1–32.


Elvers, Paul and Fischinger, Timo and Steffens, Jochen (2017). Music listening as self-enhancement: Effects of empowering music on momentary explicit and implicit self-esteem. Psychology of Music 10(2), 1–19.


Manuel Anglada-Tort and Amanda Krause and Adrian North (2019). Popular music lyrics and musicians' gender over time: A computational approach. Psychology of Music , .


Steffens, Jochen (2018). The influence of film music on moral judgments of movie scenes and felt emotions. Psychology of Music , 0305735618779443, advance online publication.


Greb, Fabian and Schlotz, Wolff and Steffens, Jochen (2018). Personal and situational influences on the functions of music listening. Psychology of Music , 763–794.


Egermann, Hauke and Kopiez, Reinhard and Altenmüller, Eckart (2013). The Influence of Social Normative and Informational Feedback on Musically Induced Emotions in an Online Music Listening Setting. Psychomusicology. Music, Mind, and Brain 31(1), .


Luizard, P. and Katz, B.F.G. and Guastavino, C. (2015). Perceived suitability of reverberation in large coupled volume concert halls. Psychomusicology: Music, Mind and Brain 25(3), 317-325.


Manuel Anglada-Tort and Heather Thueringer and Diana Omigie (2019). The busking experiment: A field study measuring behavioral responses to street music performances. Psychomusicology: Music, Mind, and Brain 29(1), 46-55.



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Heinz von Loesch and Sven Werner and Fabian Brinkmann (2012). Welches Tempo - welches Werk?. Schubert: Perspektiven 12(1), 33-46.


Pilar Ferré and Manuel Anglada-Tort and Marc Guasch (2017). Processing of Emotional Words in Bilinguals: Testing the Effects of Word Concreteness: task type and language status. Second Language Research , 1–24.



Michael Fowler (2008). Shin-Ryoanji: a digital garden. Soundscape: The Journal of Acoustic Ecology 8(1), 33–36.


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Anglada-Tort, Manuel and Keller, Steve and Steffens, Jochen and Müllensiefen, Daniel (2018). Consider the Source: The Effect of Source Bias on Professional and Consumer Evaluation of Music Aesthetics and Expected Cost in Advertising. submitted manuscript , .


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