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Publications

2013

Lepa, Steffen (2013). Zur Ermittlung von Filmlesartentypologien mit Hilfe der Postrezeptiven Lesartenanalyse (PLA). In: Naab, Theresa and Schlütz, Daniela and Möhring, Wiebke (Ed.) Standardisierung und Flexibilisierung als Herausforderungen der kommunikations- und publizistikwissenschaftlichen Forschung Köln: Herbert von Halem, (pp. 203–228).


Heinz von Loesch and Fabian Brinkmann (2013). Sravnitel'nye izmerenija tempa v interpretacijah bethovenskih sonat i drugih proizvedenijah (Vergleichende Tempomessungen in Interpretationen von Sonaten Beethovens und anderen Werken; in russ. Sprache). Quantitative methods in art studies. Proceedings of international conference in memory of German A. Golitsyn 138–143.


Lepa, Steffen (2013). Emotionale Musikrezeption in unterschiedlichen Alltagskontexten: Eine wahrnehmungsökologische Perspektive auf die Rolle der beteiligten Medientechnologien. In: Schröter, Jens and Vollmar, Axel (Ed.) Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung Bielefeld: Transcript, (pp. 373–391).


Lepa, Steffen (2013). A critical realist approach to mediatization research. "Mediatization & New Media". International Research Workshop by ECREA TWG Mediatization .



Lepa, Steffen (2013). The Media Dispositif as a middle-range concept for integrating empirical research on mediatized worlds. Comparative Media Systems: Audience Transformations. Postgraduate Course & Research Conference .


Lepa, Steffen (2013). Survey Musik und Medien. Zur empirischen Rekonstruktion der Mediatisierung alltäglicher Musikrezeption in Deutschland. Forschungskolloquium des Zentrums für Medien-, Kommunikations- und Informationsforschung (ZeMKi) .


Lepa, Steffen and Bleisteiner, Marcus and Fuss, Alexander and Steger, Dominik (2013). Buildup, Breakdown and Drop. An initial experimental approach for explaining the emotional impact of DJ performances in Electronic Dance Music (EDM). 3rd International Conference on Music & Emotion (ICME 3) .



Lepa, Steffen and Hoklas, Anne-Kathrin and Guljamow, Martin and Weinzierl, Stefan (2013). Wie hören die Deutschen heute Musik? Trends und Basisdaten zur musikbezogenen Audiomediennutzung 2012 in Deutschland. Media Perspektiven (11), 545–553.


Lepa, Steffen and Hoklas, Anne-Kathrin and Weinzierl, Stefan (2013). Survey Musik und Medien 2012: Empirische Basisdaten zur alltäglichen Musikrezeption in Deutschland. Forschungskolloquium Fachgebiet Audiokommunikation, Technische Universität Berlin .


Lepa, Steffen and Maempel, Hans-Joachim and Ungeheuer, Elena and Weinzierl, Stefan (2013). Technology matters: An experimental exploration on how the spatial cues afforded by different audio playback devices shape the perceived emotional expression of mediatized music. 3rd International Conference on Music & Emotion (ICME 3) .


Lepa, Steffen and Ungeheuer, Elena and Maempel, Hans-Joachim and Weinzierl, Stefan (2013). When the medium is the message: An experimental exploration of ‘medium effects’ on the emotional expressivity of music dating from different forms of spatialization.. 8th Conference of the Media Psychology Division of Deutsche Gesellschaft für Psychologie (DGPs) .


Lepa, Steffen and Weinzierl, Stefan (2013). Latent Class Analysis und Latent Transition Analysis als Werkzeuge zur Mixed-Method-Untersuchung von Mediatisierungsprozessen. SPP-Arbeitskonferenz Mediatisierungsprozesse in der Empirie: Methodendesigns zur Analyse von ‚Wandel‘ .


Lindau, Alexander and Lepa, Steffen (2013). Dynamische Binauralsynthese – ein Verfahren der virtuellen Akustik als Ansatz zur Untersuchung technologiebezogener Hypothesen im Rahmen medienpsychologischer Rezeptionsexperimente. Jahrestagung 2013 der Fachgruppe Methoden der Deutschen Gesellschaft für Publizistik und Kommunikationswissenschaft (DGPuk) .


Lykartsis, A.; Pysiewicz, A; von Coler, H.; Lepa, S. (2013). The Emotionality of Sonic Events : Testing the Geneva Emotional Music Scale (GEMS) for Popular and Electroacoustic Music. Proceedings of the 3rd International Conference on Music & Emotion (ICME3) .


Preuß, Philipp and Lepa, Steffen (2013). Alien Voices. Die akustische Inszenierung intergalaktischer Kommunikation im Science-Fiction-Film.. Sonderausstellung "Glücksfälle - Störfälle. Facetten interkultureller Kommunikation .


Maempel, Hans-Joachim and Lindau, Alexander (2013). Opto-acoustic simulation of concert halls – a data-based approach.. In: Bildungswerk des VDT (Ed.) Bericht der 26. Tonmeistertagung Köln: , (pp. 293–309).


Egermann, Hauke (2013). Linking Theories of Emotion-Induction to Applications in Audio Branding. In: Bronner,K. and Hirt, Rainer and Ringe, Cornelius (Ed.) Audio Branding Yearbook 2012-2013 Baden-Baden: Nomos, (pp. 155–166).


Egermann, Hauke and McAdams, Stephen (2013). Empathy and emotional contagion as a link between recognized and felt emotions in music listening. Music Perception 31(2), 139–156.


Egermann, Hauke and Kopiez, Reinhard and Altenmüller, Eckart (2013). The Influence of Social Normative and Informational Feedback on Musically Induced Emotions in an Online Music Listening Setting. Psychomusicology. Music, Mind, and Brain 31(1), .


Egermann, Hauke and Pearce, Marcus and Wiggins, Geraint and McAdams, Stephen (2013). Probabilistic Models of Expectation Violation Predict Psychophysiological Emotional Responses to Live Concert Music. Cognitive Affective Behavioral Neuroscience , .


Ditter, David, Schmidt, Leonid, Tesmer, Nils, Egermann, Hauke (2013). An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening. Proceedings of the 3rd International Conference on Music & Emotion .


Egermann, Hauke and Pearce, Marcus and Wiggins, Geraint and McAdams, Stephen (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Proceedings of the 3rd International Conference on Music & Emotion .


Egermann, Hauke, Fernando, Nathalie, Chuen, Lorraine, McAdams, Stephen (2013). Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies. Proceedings of the 3rd International Conference on Music & Emotion .


Taehun Kim and Satoru Fukayama and Takuya Nishimoto and Shigeki Sagayama (2013). Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music. In: E. Mirand and A. Kirke (Ed.) Guide to Computing for Expressive Music Performance : Springer Verlag, (pp. 145–180).


Zora Schärer Kalkandjiev and Stefan Weinzierl (2013). Der Raum als Instrument. Zusammenhänge zwischen der Qualität der Akustik und der Spielweise von Interpreten. In: Vernonika Busch and Kathrin Schlemmer and Clemens Wöllner (Ed.) Wahrnehmung - Erkenntnis - Vermittlung. Musikwissenschaftliche Brückenschläge. Festschrift für Wolfgang Auhagen Hildesheim et al.: Georg Olms, (pp. 167–178).


Steffens, Jochen (2013). Realism and ecological validity of sound quality experiments on household appliances. In: Kang, Jian and Chourmouziadou and Sakantamis, K. and Wang, B. and Hao, Y. (Ed.) Soundscape of European Cities and Landscapes : , (pp. 132–135).


Steffens, Jochen (2013). When do we judge sounds? – Relevant everyday situations for the estimation of ecological validity of indoor soundscape experiments. International Congress on Acoustics (ICA) 2013, Montréal, Canada: CD-ROM .



Steffens, Jochen (2013). Geräuschbeurteilung im Kontext des Wohnumfeldes. ALD-Winterveranstaltung textquotedblNachbarschaftslärmtextquotedbl .


Wagner, Stefan and Hallmann, Dijana and Steffens, Jochen and Becker-Schweitzer, Jörg and Kameier, Jörg (2013). Geräuscharme Reifen - Händlerempfehlungen in der Praxis. Zeitschrift für Lärmbekämpfung 8(3), 118–121.



P. Luizard and B.F.G. Katz and C. Guastavino (2013). Perception of reverberation in large coupled volumes: discrimination and suitability. Proc. International Symposium on Room Acoustics, Toronto, Canada, 9-11 June .


P. Luizard and M. Otani and J. Botts and L. Savioja and B.F.G. Katz (2013). Comparison of sound field measurements and predictions in coupled volumes between numerical methods and scale model measurements. Proc. of the $21^st$ International Congress on Acoustics, Montreal, Canada, 2-7 June .


P. Luizard and J.-D. Polack and B.F.G. Katz (2013). Auralization of coupled spaces based on a diffusion equation model. Proc. Sound and Music Computing Conference, Stockholm, Sweden, 30 July - 3 August .


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2013). The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians. To appear in the Computer Music Journal Cambridge, MA, USA MIT Press , .


Greb, Fabian and Steffens, Jochen (2013). The Impact of Music Preference on the Physiological Activation of the Human Body due to Music Reception. Fortschritte der Akustik 2013: CD-ROM .


Kärst, Michaela and Steffens, Jochen and Skoda, Sabrina (2013). Subjective evaluation and psychoacoustic analysis of the sound quality of low-noise asphalt on motorways in North-Rhine Westphalia. Fortschritte der Akustik 2013: CD-ROM .


Skoda, Sabrina and Steffens, Jochen and Becker-Schweitzer, Jörg (2013). Investigations on subconscious perception of product sounds. Fortschritte der Akustik 2013: CD-ROM .


2012

Alexander Lindau and Linda Kosanke and Stefan Weinzierl (2012). Perceptual evaluation of model- and signal-based predictors of the mixing time in binaural room impulse responses. J. Aud. Eng. Soc. 60(11), 887–898.


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012). Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance. Proceedings of the International Computer Music Conference 387–390.


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012). The FireFader and Derivatives: Simple, Open-Source, and Reconfigurable Haptics for Musicians. Proceedings of the 9th Sound and Music Computing Conference 90–98.


Edgar Berdahl and Julius O. Smith III (2012). An Introduction to the Synth-A-Modeler Compiler: Modular and Open-Source Sound Synthesis using Physical Models. Proceedings of the Linux Audio Conference .


Lindau, Alexander and Brinkmann, Fabian (2012). Perceptual Evaluation of Headphone Compensation in Binaural Synthesis Based on Non-Individual Recordings. J. Aud. Eng. Soc. 60(1/2), 54–62.


Schärer, Z. and Weinzierl, S. (2012). Empirische Fallstudie zum Einfluss der Raumakustik auf die musikalische Interpretation. Fortschritte der Akustik: Tagungsband der 38. DAGA 619–620.


Schmierer, Elisabeth (2012). Instrumentalmusik und Text: Zu Henzes Instrumentalkonzerten auf literarische Themen. In: Abels, Norbert and Schmierer, Elisabeth (Ed.) Hans Werner Henze und seine Zeit Laaber and Oberpf: Laaber, (pp. ).


Abels, Norbert and Schmierer, Elisabeth (2012). Hans Werner Henze und seine Zeit. Laaber and Oberpf: Laaber.


Maempel, H.-J. and Weinzierl, S. (2012). Demands on measurement models for the perceptual qualities of virtual acoustic environments. 59th Open Seminar on Acoustics 149–154.


Heinz von Loesch and Brinkmann, Fabian (2012). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006) [In russisch]. Musykalnaja Akademija (2), 88-96.


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