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Publications

Cavallaro, Ambra and Lepa, Steffen (2017). Virtuose 'Nicht-Musiker'? Der Diskurs zu Virtuosität, Authentizität und Subversion beim Aufkommen elektronischer Popmusik am Beispiel des Musikexpress - und seine aktuellen Nachwirkungen. In: Phleps, Thomas (Ed.) Beiträge zur Popularmusikforschung Band 43 Bielefeld: Transcript, (pp. 107–130).


Skoda, Sabrina and Steffens, Jochen and Becker-Schweitzer, Jörg (2012). Multisensory interaction – A comparative study on driving sound evaluation in moving base and fixed base driving simulators. Proceedings of the Driving Simulation Conference 2012: CD-ROM .


Schmierer, Elisabeth (2018). Konzert für Klavier und Orchester Nr. 3 c-Moll, Opus 37. Laaber: Figaro-Verlag.



Lepa, Steffen (2010). Media Appropriation from a Critical Realist Point of View? Theoretical Premises and Empirical Research. In: da Silva, Augusto Soares and Martins, José Cândido and Magalháes, Luísa and Goncalves, Miguel (Ed.) Comunicação, Cognição e Media. Volume 1 Braga (Portugal): Aletheia, (pp. 379–390).


Lepa, Steffen (2017). Statistical Significance (Testing). In: Matthes, Jörg and Davis, Christine S. and Potter, Robert F. (Ed.) The International Encyclopedia of Communication Research Methods New York: John Wiley & Sons, Inc., (pp. ).


Steele, Daniel and Steffens, Jochen and Guastavino, Catherine (2015). The role of activity in urban soundscape evaluations. Proceedings of Euronoise 2015, Maastricht .


Lepa, Steffen (2012). Was kann das Affordanzkonzept für eine Methodologie der Populärkulturforschung leisten?. In: Kleiner, Marcus S. and Rappe, Michael (Ed.) Methoden der Populärkulturforschung: Interdisziplinäre Perspektiven auf Film, Fernsehen, Musik, Internet und Computerspiele Münster: Lit-Verlag, (pp. 273–298).



Steffens, Jochen and Schulte-Fortkamp, Brigitte and Becker-Schweitzer, Jörg (2010). Wieviel Realität braucht der Mensch? Kriterien zur Bestimmung und Quantifizierung der Ökologischen Validität von Hörversuchen. Fortschritte der Akustik - DAGA 2010: CD-ROM .


A

Berdahl, Edgar and Smith III,Julius O. and Niemeyer, Günter (2012). Feedback Control of Acoustic Musical Instruments: Collocated Control Using Physical Analogs. Accepted for publication in the Journal of the Acoustical Society of America , .


Saitis, C. and Weinzierl, S. and von Kriegstein, K. and Ystad, S. and Cuskley, C. (2020). Timbre semantics through the lens of crossmodal correspondences: A new way of asking old questions. Acoustical Science and Technology 41(1), 365–368.



Katz, B.F.G. and Delarozi\`ere, O. and Luizard, P. (2011). A ceiling case study, inspired by an historical scale model. Acoustics Bulletin 36(6), 38-43.


Alexander Lindau and Stefan Weinzierl (2012). Assessing the Plausibility of Virtual Acoustic Environments. Acta Acustic u. w. Acustica 98(5), 804–810.


Alexander Lindau and Vera Erbes and Steffen Lepa and Hans-Joachim Maempel and Fabian Brinkmann and Stefan Weinzierl (2014). A Spatial Audio Quality Inventory for Virtual Acoustic Environments (SAQI). Acta Acustic u. w. Acustica 100, 984–994.


Steffens, Jochen and Guastavino, Catherine (2015). Trend Effects of Momentary and Retrospective Soundscape Evaluations. Acta Acustica united with Acustica 101, 713–722.


Schärer Kalkandjiev, Z. and Weinzierl, S. (2013). The Influence of Room Acoustics on Solo Music Performance: An Empirical Case Study. Acta Acustica united with Acustica 99(3), 433–441.


Weinzierl, S. and Sanvito, P. and Schultz, F. and Büttner, C. (2015). The Acoustics of Renaissance Theatres in Italy. Acta Acustica united with Acustica 101(3), 632–641.


Ackermann, David and Böhm, Christoph and Brinkmann, Fabian and Weinzierl, Stefan (2019). The Acoustical Effect of Musicians' Movements During Musical Performances. Acta Acustica united with Acustica 105(2), 356–367.


Haas, J. and Luizard, P. and Pelorson, X. and Lucero, J.C. (2016). Study of the effect of a moderate asymmetry on a replica of the vocal folds. Acta Acustica united with Acustica 102(2), 230-239.


Büttner, C. and Yabushita, M. and Sanchez Parecho, A. and Morishita. Y and Weinzierl, S. (2019). The Acoustics of Kabuki Theaters. Acta Acustica united with Acustica 105(6), 1105–1113.


Lindau, Alexander and Erbes, Vera and Lepa, Steffen and Maempel, Hans-Joachim and Brinkmann, Fabian and Weinzierl, Stefan (2014). A Spatial Audio Quality Inventory (SAQI). Acta Acustica united with Acustica 100(5), 984–994.


Brinkmann, Fabian and Aspöck, Lukas and Ackermann, David and Opdam, Rob and Vorländer, Michael and Weinzierl, Stefan (2021). A benchmark for room acoustical simulation. Concept and database. Applied Acoustics 176, 107867.


Michael Fowler (2010). Mapping Sound Space: the Japanese garden as auditory model. Architectural Research Quarterly 14(1), 63–70.




B

Fuchs, H. and Alexander, B. and Weinzierl, S. (2020). Breitband-Schallabsorber für Räume mit besonderen Akustik-Anforderungen. Bauphysik 42(4), 173–183.


C


Egermann, Hauke and Pearce, Marcus and Wiggins, Geraint and McAdams, Stephen (2013). Probabilistic Models of Expectation Violation Predict Psychophysiological Emotional Responses to Live Concert Music. Cognitive Affective Behavioral Neuroscience , .


Lombardo, Vincenzo and Valle, Andrea and Fitch, John and Tazelaar, Kees and Weinzierl, Stefan and Borczyk, Wojciech (2009). A Virtual-Reality Reconstruction of Poéme Électronique Based on Philological Research. Computer Music Journal 33(2), 24–47.


Lepa, Steffen and Hoklas, Anne-Kathrin and Egermann, Hauke and Weinzierl, Stefan (2015). Sound, materiality and embodiment challenges for the concept of 'musical expertise' in the age of digital mediatization. Convergence: The International Journal of Research into New Media Technologies 21(3), 294–300.


Lepa, Steffen and Hoklas, Anne-Kathrin and Egermann, Hauke and Weinzierl, Stefan (2015). Sound, materiality and embodiment challenges for the concept of ‘musical expertise’ in the age of digital mediatization. Convergence: The International Journal of Research into New Media Technologies 21(3), 294–300.


D

Michael Fowler (2012). Soundscape as a design strategy for landscape architectural praxis. Design Studies , .


Michael Fowler (2011). Appropriating an architectural design tool for musical ends. Digital Creativity 22(4), 275–287.


Geimer, Alexander and Lepa, Steffen and Ehrenspeck, Yvonne (2008). Zur Bedeutung von Bildungsgang, Bildungshintergrund und Geschlecht für die Beschäftigung mit berufsbiografisch relevanten Entwicklungsaufgaben bei 16-18jährigen Berliner SchülerInnen. Diskurs Kindheits- und Jugendforschung 3(3), 301–319.


e

Martensen, Karen (2021). Tiefenbohrungen in den musikwissenschaftlichen Werk- und Autorschaftsbegriff mit digitalen Werkzeugen. editio. Internationales Jahrbuch für Editionswissenschaft 35, 182–206.


E

Manuel Anglada-Tort (2019). Commentary on Canonne (2019): Listening to Improvisation. Empirical Musicology Review 13(1-2), 16-20.


F

Schultz, Frank and Maempel, Hans-Joachim (2009). Hörbarkeit von digitalen Clippingverzerrungen. FKT - Die Fachzeitschrift für Fernsehen, Film und elektronische Medien 63(3), 62–65.


Straebel, Volker (2008). Das Altern der Elektroakustischen Musik. Anmerkungen aus archivarischer Sicht. Forum Musikbibliothek 29(4), 327–334.



Elvers, Paul and Steffens, Jochen (2017). The Sound of Success: Investigating Cognitive and Behavioral Effects of Motivational Music in Sports. Frontiers in Psychology 8, 2026.


Egermann, Hauke and Fernando, Nathalie and Chuen, Lorraine and McAdams, Stephen (2015). Music induces universal emotion-related psychophysiological responses: comparing Canadian listeners to Congolese Pygmies. Frontiers in Psychology 5, 1–9.


Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2019). Modeling Music-Selection Behavior in Everyday Life: A Multilevel Statistical Learning Approach and Mediation Analysis of Experience Sampling Data. Frontiers in psychology 10(390), 1–20.


G

Michael Fowler (2011). On Listening in a Future City. Grey Room 42, 22–45.


H

Brech, Martha (2011). Neue Wege bei Gehörsystemen. Hörakustik 2011(7), 16–19.


I

Fabian Brinkmann and Reinhild Roden and Alexander Lindau and Stefan Weinzierl (2015). Audibility and interpolation of head-above-torso orientation in binaural technology. IEEE J. Sel. Topics Signal Process. , 931-942.


Fabian Brinkmann and Reinhild Roden and Alexander Lindau and Stefan Weinzierl (2015). Audibility and interpolation of head-above-torso orientation in binaural technology. IEEE J. Sel. Topics Signal Process. Elsevier 489, 931-942.


Fabian Brinkmann and Reinhild Roden and Alexander Lindau and Stefan Weinzierl (2015). Audibility and interpolation of head-above-torso orientation in binaural technology. IEEE J. Sel. Topics Signal Process. , 931-942.


Charalampos Saitis and Kyriaki Kalimeri (2018). Multimodal classification of stressful environments in visually impaired mobility using EEG and peripheral biosignals. IEEE Transactions on Affective Computing , .


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