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Michael Fowler (2008). Finding Cage at Ry=oan-ji through a re-modeling of Variations II. Perspectives of New Music 47(1), 174–191.


Michael Fowler (2005). 3 Translations of O. Perspectives of New Music 43-44, 299–313.


Lepa, Steffen and Hoklas, Anne-Kathrin and Weinzierl, Stefan (2014). Discovering and interpreting audio media generation units: A typological-praxeological approach to the mediatization of everyday music listening. Participations - Journal of Audience & Reception Studies 11(2), 207–238.


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Michael Fowler (2010). The Ephemeral Architecture of Stockhausen's Pole für 2. Organised Sound 15(3), 185–197.


Straebel, Volker (2008). Aspects of Conceptual Composing. Open Space Magazine 10(Fall 2008), 67–78.


Weinzierl, Stefan and Sanvito, P. (2013). L'Acustica del Teatro Olimpico di Vicenza.. Odeo olimpico. Memorie dell'Accademia Olimpica di Vicenza (28), 463–492.


Weinzierl, S. and Sanvito, P. (2013). L'Acustica del Teatro Olimpico di Vicenza. Odeo olimpico. Memorie dell'Accademia Olimpica di Vicenza (28), .


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Brech, Martha (2011). Der Raum als Stimme: Resonanz und Reflexion als Gestaltungsmittel in der Klang- und Medienkunst. Neue Zeitschrift für Musik 2011(5), 40–43.


Lepa, Steffen and Seifert, Markus (2016). Embodied Listening Modes as Part of Habitual Music Media Orientations: Relating Young Adults’ Audio Technology Use with Their Music Socialization and Taste Preferences. Networking Knowledge: Journal of the MeCCSA Postgraduate Network 9(2), .


Hoklas, Anne-Kathrin and Lepa, Steffen (2015). Mediales Musikhören im Alltag am Beispiel des Plattenspielers: Auditive Kultur aus der Perspektive der praxeologischen Wisssenssoziologie. Navigationen - Zeitschrift für Medien- und Kulturwissenschaften 15(2), 127–143.


Schmierer, Elisabeth (2011). Mahlers Begriff des Humors und seine Umsetzung in den Wunderhorn-Liedern. Nachrichten zur Mahler-Forschung Wien: Internationale Gustav Mahler Gesellschaft, (pp. 56–72).


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Heinz von Loesch and Brinkmann, Fabian (2012). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006) [In russisch]. Musykalnaja Akademija (2), 88-96.


Heinz von Loesch and Brinkmann, Fabian (2012). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006) [In russisch]. Musykalnaja Akademija (2), 88-96.


Weinzierl, Stefan (2011). Die Sinfonie als Ansprache an ein Massenpublikum. Konzertformate, Publikum und sinfonische Aufführungspraxis der Beethovenzeit.. MusikTheorie – Zeitschrift für Musikwissenschaft 26(2), 157–176.



Straebel, Volker (2011). Erfahrung des Abwesenden. Zu den jüngeren Arbeiten von Rolf Julius. MusikTexte 128(Feb. 2011), 64–65.



Egermann, Hauke and Sutherland, Mary Elizabeth and Grewe, Oliver and Nagel, Frederik and Kopiez, Reinhard and Altenmüller, Eckart (2011). Does music listening in a social context alter experience? A physiological and psychological perspective on emotion. Musicae Scientiae 15(3), 307–323.


Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2018). Understanding music-selection behavior via statistical learning. Music & Science 1(2), 205920431875595.


Schwab-Felisch, Oliver (2014). The Butterfly and the Artillery: Models of Listening in Schenker and Gjerdingen. Music Theory and Analysis 1(1-2), 107–120.


Egermann, Hauke and McAdams, Stephen (2013). Empathy and emotional contagion as a link between recognized and felt emotions in music listening. Music Perception 31(2), 139–156.


Manuel Anglada-Tort and Daniel Müllensiefen (2017). The Repeated Recording Illusion: The Effects of Extrinsic and Individual Difference Factors on Musical Judgements. Music Perception 1(35), 94–117.


Manuel Anglada-Tort and Katie Rose Sanfilippo (2019). Visualizing Music Psychology: A Bibliometric Analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017. Music & Science 2, 2059204318811786.


Guljamow, Martin and Lepa, Steffen and Weinzierl, Stefan (2013). Survey Musik und Medien 2012: Die Nutzung neuer digitaler Technologien und Angebote des alltäglichen Musikhörens durch Jugendliche. Merz - medien + erziehung (Heft 2013/6 - Aufwachsen in komplexen Medienwelten), 84–96.



Manuel Anglada-Tort and Thomas Baker and Daniel Müllensiefen (2018). False memories in music listening: exploring the misinformation effect and individual difference factors in auditory memory. Memory , 1-16.


Lepa, Steffen (2015). Kulturelle Ökonomie und Urheberrecht im Zeitalter der digitalen Mediamorphose der Musik. Mediale Kontrolle unter Beobachtung 4(2), .


Lepa, Steffen and Hoklas, Anne-Kathrin and Guljamow, Martin and Weinzierl, Stefan (2013). Wie hören die Deutschen heute Musik? Trends und Basisdaten zur musikbezogenen Audiomediennutzung 2012 in Deutschland. Media Perspektiven (11), 545–553.


Lepa, Steffen and Steffens, Jochen and Herzog, Martin and Egermann, Hauke (2020). Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music. Media and Communication 8(3), 191–204.


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Michael Fowler (2012). Reading John Cage's Variations III as a Process for Generating Proto-Architectural Form. Leonardo, Art Science Technology 45(1), 34–41.


Straebel, Volker (2009). From Reproduction to Performance: Media-Specific Music for Compact Disc. Leonardo Music Journal 19(Dec. 2009), 23–30.


Michael Fowler (2011). Transmediating a Japanese garden through spatial sound design. Leonardo Music Journal 21, 41–49.


Straebel, Volker (2009). Spazio sonoro e installazione sonora. Le arti del suono 1(1), 60–69.


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Burred, Juan José and Lerch, Alexander (2004). Hierarchical Automatic Audio Signal Classification. Journal of the Audio Engineering Society (JAES) 52(7/8), 724–739.


Steffens, Jochen and Petrenko, Johannes and Guastavino, Catherine (2014). Comparison of momentary and retrospective soundscape evaluations. Journal of the Acoustical Society of America 135(2), 2187.


Shabtai, N. R. and Behler, G. and Vorländer, M. and Weinzierl, S. (2017). Generation and analysis of an acoustic radiation pattern database for forty-one musical instruments. Journal of the Acoustical Society of America 141(2), 1246–1256.


Weinzierl, S. and Lepa, S. and Ackermann, D. (2018). A measuring instrument for the auditory perception of rooms. The Room Acoustical Quality Inventory (RAQI). Journal of the Acoustical Society of America 144(3), 1245–1257.


Weinzierl, S. and Lepa, S. and Schultz, F. and Detzner, E. and von Coler, H. and Behler, G. (2018). Sound power and timbre as cues for the dynamic strength of orchestral instruments. Journal of the Acoustical Society of America 144(3), 1347–1355.


Steffens, Jochen and Küppers, Thomas and Skoda, Sabrina (2011). Psychological factors influencing the evaluation of electric vehicle interior noise. Journal of the Acoustical Society of America 130(4), 2546.


J.C. Lucero and J. Schoentgen and J. Haas and P. Luizard and X. Pelorson (2015). Self-entrainment of the right and left vocal fold oscillators. Journal of the Acoustical Society of America 137(4), 2036-2046.


Luizard, P and Katz, B.F.G. (2014). Investigation of the effective aperture area of sliding and hinged doors between coupled spaces. Journal of the Acoustical Society of America 136(2), EL135-EL141.


P. Luizard and B.F.G. Katz and C. Guastavino (2015). Perceptual thresholds for realistic double-slope decay reverberation in large coupled spaces. Journal of the Acoustical Society of America 137(1), 75-84.


P. Luizard AND J.-D. Polack AND B.F.G. Katz (2014). Sound energy decay in coupled spaces using a parametric analytical solution of a diffusion equation. Journal of the Acoustical Society of America 135(5), 2765-2776.


von Berg, M. and Steffens, J. and Weinzierl, S. and Müllensiefen, D. (2021). Assessing Room Acoustic Listening Expertise. Journal of the Acoustical Society of America 150(4), 2539–2548.


Stein, L. and Straube, F. and Weinzierl, S. and Lemke, M. (2020). Directional sound source modeling using the adjoint Euler equations in a FDTD approach. Journal of the Acoustical Society of America 148(5), 3075–3085.


P. Luizard and J. Steffens and S. Weinzierl (2020). Singing in different rooms: Common or individual adaptation patterns to the acoustic conditions?. Journal of the Acoustical Society of America 147(2), EL132-EL137.


Küppers, Thomas and Biermann, Jan-Welm and Steffens, Jochen (2011). Structurized sound design process of electric vehicle interior sound. Journal of the Acoustical Society of America 130(4), 2546.


Skoda, Sabrina and Steffens, Jochen and Küppers, Thomas (2011). Auditory-proprioceptive interaction – How do acceleration forces influence the evaluation of driving sounds?. Journal of the Acoustical Society of America 130(4), 2546.


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