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Lykartsis, A.; Lerch, A.; Weinzierl, S. (2015). Analysis of Speech Rhythm for Language Identification Based on Beat Histograms. Fortschritte der Akustik: Tagungsband d. 41. DAGA .


Lykartsis, A.; Weinzierl, S. (2015). Using the Beat Histogram for Speech Rhythm Description and Language Identification. Sixteenth Annual Conference of the International Speech Communication Association .


Lykartsis, A.; Wu, C. W.; Lerch, A. (2015). Beat Histogram Features from NMF-based Novelty Functions for Music Classification. 6th International Society for Music Information Retrieval Conference .


Lykartsis, A.; Lerch, A. (2015). Beat Histogram Features for Rhythm-Based Musical Genre Classification using Multiple Novelty Functions. Proceedings of the 18th International Conference on Digital Audio Effects (DAFx) .


Lykartsis, A.; Weinzierl, S. (2016). Rhythm Description for Music and Speech Using the Beat Histogram with Multiple Novelty Functions: First Results. Fortschritte der Akustik: Tagungsband d. 42. DAGA .


Lykartsis, A.; Weinzierl, S.; Dellwo, V. (2017). Speaker Identification for Swiss German with Spectral and Rhythm Features. AES Conference on Semantic Audio 2017 .


Lykartsis, A.; Dellwo, V. (2017). Statistical Analysis of Beat Histogram-based Speech Tempo Features for Language Discrimination. Abstract Proceedings of the 16th Rhythm Production and Perception Workshop (RPPW) , .


Lykartsis, A.; Kotti, M.; Papangelis, A.; Stylianou, Y. (2018). Prediction of Dialogue Success with Spectral and Rhythm Acoustic Features Using SVMs and DNNs. IEEE Speech and Language Technology Workshop 2018 .


Lykartsis, A.; Pysiewicz, A. (2018). Assessment of Feature Extraction Methods for Audio Fingerprinting. Abstract/LBD Proceedings of the 19th International Society for Music Information Retrieval Conference .


Lykartsis, A. (2014). Evaluation of Rhythmic Descriptors for Genre Classification of Musical Signals. Technische Universität Berlin , .


P. Luizard and C. d'Alessandro (2018). Effet des jalousies du récit d’orgue comme moyen d’expressivité musicale. Proc. 14th Congrès Français d'Acoustique, Le Havre, France, 23-27 April .


P. Luizard and E. Brauer and S. Weinzierl and N. Henrich (2018). Vocal adaptation of singers to room acoustics. Proc. DAGA (German Acoustical Society Conference), Munich, Germany, 19-22 March .


P. Luizard and E. Brauer and S. Weinzierl and N. Henrich (2018). The behavior of singers to adapt to various room acoustics. Proc. Auditorium Acoustics Conference, Hamburg, Germany, 4-6 October .



P. Luizard (2010). Etude des volumes couplés en acoustique des salles. Université Pierre & Marie Curie (UPMC) , .


Luizard, P. and Guastavino, C. and Polack, J.-D. and Katz, B.F.G (2012). Perception sonore dans les volumes couplés. Journées des Jeunes Chercheurs en Audition, Acoustique musicale et Signal audio, Marseille, France, 5-7 December , .


Luizard, P. and Guastavino, C. and Polack, J.-D. and Katz, B.F.G (2012). Perception sonore dans les volumes couplés. Journées de Perception Sonore, Marseille, France, 10-11 December , .


Luizard, P. and Hermant, N. and Silva, F. and Laval, X. and Pelorson, X. (2015). Laser scanning vibrometry and modal analysis to characterize a vocal fold replica. Proc. 22th International Congress on Sound and Vibration, Florence, Italy, 12-16 July .


Luizard, P and Katz, B.F.G. (2014). Investigation of the effective aperture area of sliding and hinged doors between coupled spaces. Journal of the Acoustical Society of America 136(2), EL135-EL141.


P. Luizard and B.F.G. Katz (2011). Coupled volume multi-slope room impulse responses: a quantitative analysis method. Proc. Institute of Acoustics, $8^\textrmth$ International Conference on Auditorium Acoustics, Dublin, 20-22 May, pp. 169-176 .


Luizard, P. and Katz, B.F.G (2011). Les volumes couplés en acoustique des salles. Journées des Jeunes Chercheurs en Audition, Acoustique musicale et Signal audio, Rennes, France, 7-9 December , .


Luizard, P. and Katz, B.F.G (2010). Étude des volumes couplés en acoustique des salles. Journées des Jeunes Chercheurs en Audition, Acoustique musicale et Signal audio, Paris, France, 17-19 November , .


Luizard, P. and Katz, B.F.G. and Guastavino, C. (2015). Perceived suitability of reverberation in large coupled volume concert halls. Psychomusicology: Music, Mind and Brain 25(3), 317-325.


P. Luizard and B.F.G. Katz and C. Guastavino (2015). Perceptual thresholds for realistic double-slope decay reverberation in large coupled spaces. Journal of the Acoustical Society of America 137(1), 75-84.


P. Luizard and E. Brauer and S. Weinzierl (2019). Singing in physical and virtual environments: how performers adapt to room acoustical conditions. Proc. Conference of the Audio Engineering Society on Immersive and interactive audio 2019, York, UK, 27-29 March .


P. Luizard and B.F.G. Katz and C. Guastavino (2013). Perception of reverberation in large coupled volumes: discrimination and suitability. Proc. International Symposium on Room Acoustics, Toronto, Canada, 9-11 June .


P. Luizard and J. Steffens and S. Weinzierl (2019). Adaptation of singers to physical and virtual room acoustics. Proc. International Symposium on Room Acoustics, Amsterdam, The Netherlands, 15-17 September .


P. Luizard and M. Otani and J. Botts and L. Savioja and B.F.G. Katz (2013). Comparison of sound field measurements and predictions in coupled volumes between numerical methods and scale model measurements. Proc. of the $21^st$ International Congress on Acoustics, Montreal, Canada, 2-7 June .


P. Luizard and S. Weinzierl and E. Brauer (2019). Singing adaptation in real and virtual acoustics. Proc. DAGA (German Acoustical Society Conference), Rostock, Germany, 19-21 March .


P. Luizard and J.-D. Polack and B.F.G. Katz (2013). Auralization of coupled spaces based on a diffusion equation model. Proc. Sound and Music Computing Conference, Stockholm, Sweden, 30 July - 3 August .


P. Luizard and N. Xiang and J.-D. Polack and B.F.G. Katz (2012). Coupled volumes and statistical acoustics: Preliminary results of an improved analytical model. Meeting of Acoustical Society of America (Acoustics 2012), Hong Kong, Republic of China, 12-18 May , .


P. Luizard and X. Pelorson (2017). Threshold of oscillation of a vocal fold replica with unilateral surface growths. The Journal of the Acoustical Society of America ASA 141(5), 3050–3058.


P. Luizard and N. Henrich Bernardoni and C. Böhm (2020). Using virtual acoustics and electroglottography to study the adaptation of singing voice production. Proc. Forum Acusticum, Lyon, France, 20-24 April .


P. Luizard and S. Gerber and N. Henrich Bernardoni (2020). How voice production of singers is influence by room acoustics. International Conference on Voice Physiology and Biomechanics (ICVPB), Grenoble, France, 18-20 March .


P. Luizard and J. Steffens and S. Weinzierl (2020). Singing in different rooms: Common or individual adaptation patterns to the acoustic conditions?. Journal of the Acoustical Society of America 147(2), EL132-EL137.


P. Luizard and N. Henrich Bernardoni (2020). Changes in the voice production of solo singers across concert halls. Journal of the Acoustical Society of America 148(1), EL33–EL39.


J.C. Lucero and J. Schoentgen and J. Haas and P. Luizard and X. Pelorson (2015). Self-entrainment of the right and left vocal fold oscillators. Journal of the Acoustical Society of America 137(4), 2036-2046.


Lombardo, Vincenzo and Valle, Andrea and Fitch, John and Tazelaar, Kees and Weinzierl, Stefan and Borczyk, Wojciech (2009). A Virtual-Reality Reconstruction of Poéme Électronique Based on Philological Research. Computer Music Journal 33(2), 24–47.



Heinz von Loesch and Brinkmann, Fabian (2012). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006) [In russisch]. Musykalnaja Akademija (2), 88-96.


Heinz von Loesch and Fabian Brinkmann (2013). Sravnitel'nye izmerenija tempa v interpretacijah bethovenskih sonat i drugih proizvedenijah (Vergleichende Tempomessungen in Interpretationen von Sonaten Beethovens und anderen Werken; in russ. Sprache). Quantitative methods in art studies. Proceedings of international conference in memory of German A. Golitsyn 138–143.


Heinz von Loesch and Fabian Brinkmann (2014). ‚Diese Sonate ist als reine Virtuosen-Sonate zu beachten` – Das Tempo in Beethovens Klavier-Sonate op. 2/3 von Josef Hofmann (1929) bis Lang Lang (2010). Vom Klang zur Schrift – von der Schrift zum Klang. Beiträge des Seminars in Münster 2012 (EPTA-Dokumentation 2012) Im Druck.


Heinz von Loesch and Fabian Brinkmann (2014). Tempogestaltung im Kopfsatz von op. 95: Eine exemplarische Studie zur Interpretationsgeschichte von Beethovens Streichquartetten. In: Friedrich Geiger and Martina Sichardt (Ed.) Beethovens Kammermusik. Das Handbuch (Das Beethoven Handbuch 3) Laaber, Germany: Laaber, (pp. 445 – 467).


Heinz von Loesch and Brinkmann, Fabian (2014). ‚Feurig` oder ‚majestätisch`? – Tempo und Deutung im ersten Satz von Beethovens Hammerklaviersonate. Beethoven 6 – Studien und Interpretationen Im Druck.



Loesch, Heinz von and Brinkmann, Fabian (2012). Die Tempogestaltung in Artur Schnabels \emphAppassionata-Einspielung im Kontext zeitgenössischer Interpretationen. Beethoven 5 – Studien und Interpretationen 215-224.


Loesch, Heinz von and Brinkmann, Fabian (2011). Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006). In: Loesch, Heinz von and Weinzierl, Stefan (Ed.) Gemessene Interpretation. Computergestützte Aufführungsanalyse im Kreuzverhöh der Disziplinen Mainz et al.: Schott, (pp. 83-100).


Heinz von Loesch and Fabian Brinkmann (2014). ‚Diese Sonate ist als reine Virtuosen-Sonate zu beachten` – Das Tempo in Beethovens Klavier-Sonate op. 2/3 von Josef Hofmann (1929) bis Lang Lang (2010). Vom Klang zur Schrift – von der Schrift zum Klang. Beiträge des Seminars in Münster 2012 (EPTA-Dokumentation 2012) Im Druck.


Heinz von Loesch and Fabian Brinkmann (2014). Tempogestaltung im Kopfsatz von op. 95: Eine exemplarische Studie zur Interpretationsgeschichte von Beethovens Streichquartetten. In: Friedrich Geiger and Martina Sichardt (Ed.) Beethovens Kammermusik. Das Handbuch (Das Beethoven Handbuch 3) Laaber, Germany: Laaber, (pp. 445 – 467).


Heinz von Loesch and Brinkmann, Fabian (2014). ‚Feurig` oder ‚majestätisch`? – Tempo und Deutung im ersten Satz von Beethovens Hammerklaviersonate. Beethoven 6 – Studien und Interpretationen Im Druck.


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