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Publications

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2018

Kokabi, Omid and Brinkmann, Fabian and Weinzierl, Stefan (2018). Segmentation of binaural room impulse responses for speech intelligibility prediction [21]. The Journal of the Acoustical Society of America 144(5), 2793-2800.


Stefano Papetti and Charalampos Saitis (2018). Musical Haptics: Introduction [22]. In: Stefano Papetti and Charalampos Saitis (Ed.) Musical Haptics Cham, Switzerland: Springer, (pp. 1–7).


Christoph Reuter and Jörg Jewanski and Charalampos Saitis and Isabella Czedik-Eysenberg and Saleh Siddiq and Michael Oehler (2018). Colors and timbres – consistent color-timbre mappings at non-synesthetic individuals [23]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .


Charalampos Saitis and Hanna Järveläinen and Claudia Fritz (2018). The Role of Haptic Cues in Musical Instrument Quality Perception [24]. In: Stefano Papetti and Charalampos Saitis (Ed.) Musical Haptics Cham, Switzerland: Springer, (pp. 73–93).


Charalampos Saitis and Kai Siedenburg (2018). Bright strings versus bright trumpets: Acoustic and categorical dissimilarity of timbral brightness [25]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .


Steffens, Jochen and Lepa, Steffen and Herzog, Martin and Schönrock, Andreas and Egermann, Hauke (2018). ''Bridging the Semantic Gap'' - Kann der semantische Ausdruck von Musik mithilfe von akustischen Signaleigenschaften vorhergesagt werden? [26]. Fortschritte der Akustik - DAGA 2018 (München) .


Stefano Papetti and Charalampos Saitis (2018). Musical Haptics [27]. London: Springer.


Charalampos Saitis and Kai Siedenburg (2018). Exploring the role of source-cause categories in timbral brightness perception [28]. Proceedings of Timbre 2018: Timbre is a Many-Splendored Thing .


Charalampos Saitis and Athanasios Lykartsis and Stefan Weinzierl (2018). Verbal Data-Driven Semantic Dimensions of Musical Timbre [29]. Proceedings of DAGA 2018–-44. Deutsche Jahrestagung für Akustik .


Charalampos Saitis and Mohammad Zavid Parvez and Kyriaki Kalimeri (2018). Cognitive load assessment from EEG and peripheral biosignals for the design of visually impaired mobility aids [30]. Wireless Communications and Mobile Computing, Special Issue on Mobile Assistive Technologies 2018(Article ID 8971206), .


Fabian Brinkmann and Heinz von Loesch (2018). Tempo data from 50 performances of Beethovens Appassionata (Op. 57) [31]. https://dx.doi.org/10.14279/depositonce-7002 [32]


Aspöck, Lukas and Brinkmann, Fabian and Ackerman, David and Weinzierl, Stefan and Vorländer, Michael (2018). Eine Datenbank zur Validierung von akustischen Simulationen [33]. Fortschritte der Akustik textendash DAGA 2018 1337.


Weinzierl, S. and Lepa, S. and Kokabi, O. (2018). Virtuelle historische Klangumgebungen als Werkzeug der Musikwissenschaft [34]. In: Langenbruch, Anna (Ed.) Klang als Geschichtsmedium Bielefeld: transcript Verlag, (pp. 221–244).


Charalampos Saitis and Kyriaki Kalimeri (2018). Multimodal classification of stressful environments in visually impaired mobility using EEG and peripheral biosignals [35]. IEEE Transactions on Affective Computing , .


Hermant, N. and Chouly, F. and Silva, F. and Luizard, P. (2018). Numerical study of the vibrations of an elastic container filled with an inviscid fluid [36]. ZAMM-Journal of Applied Mathematics and Mechanics/Zeitschrift für Angewandte Mathematik und Mechanik Wiley Online Library 98(4), 602–621.


Tom Baker and Manuel Anglada-Tort and Daniel Müllensiefen (2018). How Reliable is Memory for Music? Exploring False Memories in Music Listening [37]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Manuel Anglada-Tort and Katie Rose Sanfilippo (2018). Visualizing Music Psychology: Who, What, When, and Where? [38]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Ackermann, David and Ilse, Maximilan and Grigoriev, Dmitry and Lepa, Steffen and Pelzer, Sönke and Vorländer, Michael and Weinzierl, Stefan (2018). A Ground Truth on Room Acoustical Analysis and Perception (GRAP) [39]. https://dx.doi.org/10.14279/depositonce-7003 [40]


Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Der Einfluss der Herkunft von Musik auf deren ästhetische Bewertung und die erwarteten Nutzungskosten im Kontext der Werbung [41]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .


Böhm, Christoph and Ackermann, David and Weinzierl, Stefan (2018). A Multi-channel Anechoic Orchestra Recording of Beethoven's Symphony No. 8 op. 93 [42]. https://dx.doi.org/10.14279/depositonce-6729 [43]


Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Consider the Source: The Effects of Source Bias on Professional Assessment of Music Quality and Worth [44]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Manoj Dinakaran and Fabian Brinkmann and Stine Harder and Robert Pelzer and Peter Grosche and Rasmus R. Paulsen and Stefan Weinzierl (2018). Perceptually motivated analysis of numerically simulated head-related transfer functions generated by various 3D surface scanning systems [45]. IEEE Int. Conf. Acoustics, Speech and Signal Processing (ICASSP) 551–555.


Brinkmann, Fabian and Weinzierl, Stefan (2018). Comparison of head-related transfer functions pre-processing techniques for spherical harmonics decomposition [46]. AES Int. Conf. on Audio for Virtual and Augmented Reality (AVAR) Redmond, USA , 1-10.


Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2018). Names and Titles Matter: The Impact of Linguistic Fluency and the Affect Heuristic on Aesthetics and Value Judgements of Music [47]. Psychology of Aesthetics, Creativity, and the Arts , .


Ackermann, David and Böhm, Christoph and Weinzierl, Stefan (2018). A Database on Musicians' Movements During Musical Performances [48]. https://dx.doi.org/10.14279/depositonce-7469 [49]


Schwab-Felisch, Oliver (2018). Verzerrte Instanzen. Struktur und Wahrnehmung musikalischer Schemata in Werken Beethovens und Schuberts [50]. Musiktheorie 33(1), 17–29.


Anglada-Tort, Manuel and Keller, Steve and Steffens, Jochen and Müllensiefen, Daniel (2018). Consider the Source: The Effect of Source Bias on Professional and Consumer Evaluation of Music Aesthetics and Expected Cost in Advertising [51]. submitted manuscript , .


Lepa, Steffen and Herzog, Martin and Peeters, Geoffroy and Steffens, Jochen and Wages, Richard and Egermann, Hauke (2018). A Knowledge-Based Recommender System for Music Branding [52]. submitted manuscript , .


Steffens, Jochen and Greb, Fabian and Schlotz, Wolff (2018). Patterns of situational cues and characteristics contributing to music listening in daily life: Towards a taxonomy of music listening situations [53]. Proceedings of the 15th International Conference on Music Perception and Cognition (ICMPC), Graz, Austria. .


Steffens, Jochen (2018). The influence of film music on moral judgments of movie scenes and felt emotions [54]. Psychology of Music , 0305735618779443, advance online publication.


Steffens, Jochen (2018). Kann Filmmusik moralische Urteile von dargebotenen Filmhandlungen beeinflussen? [55]. 34. Abstract-Band zur Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (DGM) .


Irrgang, Melanie and Steffens, Jochen and Egermann, Hauke (2018). Smartphone-Assessed Movement Predicts Music Properties [56]. MOCO: 5th International Conference on Movement and Computing, Genoa, Italy .


Anglada-Tort, Manuel and Keller, Steve and Steffens, Jochen and Müllensiefen, Daniel (2018). Source-Effekte, ästhetische Bewertung und geschätzte Lizenzkosten im Kontext von Werbemusik [57]. 34. Abstract-Band zur Jahrestagung der Deutschen Gesellschaft für Musikpsychologie (DGM) .


Anglada-Tort, Manuel and Steffens, Jochen and Müllensiefen, Daniel (2018). Names and titles matter: The impact of linguistic fluency and the affect heuristic on aesthetic and value judgements of music [58]. Psychology of Aesthetics, Creativity, and the Arts , .


Steffens, Jochen (2018). Effects of music and sound on affective, cognitive, and behavioral processes and the moderating role of person-related and situational factors [59]. Technische Universität Berlin Berlin , .


Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2018). Situational influences on music selection behavior in daily life: An experience sampling study [60]. Proceedings of the 15th International Conference on Music Perception and Cognition (ICMPC), Graz, Austria. .


Greb, Fabian and Schlotz, Wolff and Steffens, Jochen (2018). Personal and situational influences on the functions of music listening [61]. Psychology of Music , 763–794.


Lepa, Steffen (2018). Quantitative Filmrezeptionsanalyse [62]. In: Geimer, Alexander and Heinze, Carsten and Winter, Rainer (Ed.) Handbuch der Filmsoziologie Wiesbaden: Springer VS, (pp. in press).


Schmierer, Elisabeth (2018). Chronik der Kirchenmusik in 2 Bänden [63]. Laaber: Laaber.


Christoph Böhm, David Ackermann, Stefan Weinzierl (2018). Eine mehrkanalige und nachhallfreie Aufnahme von Beethovens 8. Sinfonie [64]. Fortschritte der Akustik – DAGA München : , (pp. 112–115).


Schmierer, Elisabeth (2018). Conrad Ansorge im Liedschaffen der Jahrhundertwende [65]. In: Gasch, Stefan (Ed.) Ästhetik der Innerlichkeit Wien: Hollitzer, (pp. 137–154).


Zora Schärer Kalkandjiev, Stefan Weinzierl (2018). An Instrument for Measuring the Perception of Room Acoustics from the Perspective of Musicians: The Stage Acoustic Quality Inventory (STAQI) [66]. Fortschritte der Akustik - DAGA 2018 : 44. Deutsche Jahrestagung für Akustik : 19.-22. März 2018 in München Berlin: Deutsche Gesellschaft für Akustik e.V. (DEGA), (pp. 1747–1750).


Schmierer, Elisabeth (2018). Das Liedhafte in den Opern von Richard Strauss [67]. In: Gustav Mahler Stichting Nederland (Ed.) Song or Opera, Opera or Song Rijswijk: Gustav Mahler Stichting Nederland, (pp. 35–44).


Omid Kokabi, Fabian Brinkmann, Stefan Weinzierl (2018). Automatische Segmentierung binauraler Raumimpulsantworten für die Modellierung von Sprachverständlichkeit [68]. Fortschritte der Akustik - DAGA 2018 : 44. Deutsche Jahrestagung für Akustik : 19.-22. März 2018 in München Berlin: Deutsche Gesellschaft für Akustik e.V. (DEGA), (pp. 509–512).


Schmierer, Elisabeth (2018). "Es ist doch eine ganz andere Musik, die nicht erst durch die Finger getragen wird..." [69]. In: Uhl, Markus and Weyer, Christoph (Ed.) Erklingendes Wort Schwarzach: Vier Türme, (pp. 165–176).


Schmierer, Elisabeth (2018). Konzert für Klavier und Orchester Nr. 3 c-Moll, Opus 37 [70]. Laaber: Figaro-Verlag.


2017

Brinkmann, Fabian and Lindau, Alexander and Weinzierl, Stefan and Par, Steven van de and Müller-Trapet, Markus and Opdam, Rob and Vorländer, Michael (2017). A High Resolution and Full-Spherical Head-Related Transfer Function Database for Different Head-Above-Torso Orientations [71]. J. Audio Eng. Soc 65(10), 841–848.


Hold, Christoph and Seipel, Fabian and Brinkmann, Fabian and Lykartsis, Athanasios and Weinzierl, Stefan (2017). Eigen-Images of Head-Related Transfer Functions [72]. 143rd AES Convention, Convention Paper 9891 New York, USA , .


Fabian Brinkmann and Alexander Lindau and Stefan Weinzierl (2017). On the authenticity of individual dynamic binaural synthesis [73]. J. Acoust. Soc. Am. 142(4), 1784-1795.


Brinkmann, Fabian and Lindau, Alexander and Weinzierl, Stefan and Par, Steven van de and Müller-Trapet, Markus and Opdam, Rob and Vorländer, Michael (2017). A High Resolution and Full-Spherical Head-Related Transfer Function Database for Different Head-Above-Torso Orientations [74]. J. Audio Eng. Soc 65(10), 841–848.


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