Schneider, Martin (2011). Kondensatormikrophone im Vergleich. 26. Tonmeistertagung : Verband Deutscher Tonmeister e.V, (pp. 430–437).

Maempel, Hans-Joachim and Weinzierl, Stefan (2005). Tonmeisterausbildung in Berlin und Detmold - Evaluation der Studienverläufe anhand von Leistungsprofilen. Bericht der 23. Tonmeistertagung 560–572.

Ditter, David, Schmidt, Leonid, Tesmer, Nils, Egermann, Hauke (2013). An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening. Proceedings of the 3rd International Conference on Music & Emotion .

Maempel, Hans-Joachim and Weinzierl, Stefan and Kaminski, Peter (2008). Audiobearbeitung. In: Weinzierl, Stefan (Ed.) Handbuch der Audiotechnik Berlin and Heidelberg: Springer, (pp. 747–812).

Egermann, Hauke and Pearce, Marcus and Wiggins, Geraint and McAdams, Stephen (2013). Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music. Proceedings of the 3rd International Conference on Music & Emotion .

Maempel, Hans-Joachim (2010). Technik. In: La Motte-Haber, Helga de and Loesch, Heinz von and Rötter, Günther and Utz, Christian (Ed.) Lexikon der Systematischen Musikwissenschaft Laaber: Laaber, (pp. 470–477).

Schröder, Julia H. (2019). Total Theatre and Music Theatre: Tracing Influences from Pre- to Post-War Avant-Gardes. In: Adlington, Robert (Ed.) New music theatre in Europe Oxon: Routledge, (pp. 33–51).

Egermann, Hauke, Fernando, Nathalie, Chuen, Lorraine, McAdams, Stephen (2013). Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies. Proceedings of the 3rd International Conference on Music & Emotion .

Maempel, Hans-Joachim (2011). Musikaufnahmen als Datenquellen der Interpretationsanalyse. In: Loesch, Heinz von and Weinzierl, Stefan (Ed.) Gemessene Interpretation: Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen (Klang und Begriff) Mainz et al: Schott, (pp. 157–171).

Egermann, Hauke, Gaulin, Myles, McAdams, Stephen (2012). Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music.. Tagungsband der Jahrestagung der deutschen Gesellschaft fuer Musikpsychologie .

Maempel, Hans-Joachim and Gawlik, Fabian (2009). The influence of sound processing on listeners' program choice in radio broadcasting. 126th AES Convention P24-4, Convention Paper 7785.

Egermann, Hauke, Fernando, Nathalie, Chuen, Lorraine, McAdams, Stephen (2012). Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies. Proceedings of the 12th International Conference of Music Perception and Cognition .

Pelzer, Sönke and Maempel, Hans-Joachim (2010). Room Modelling for Acoustic Simulation and Auralization Tasks: Resolution of Structural Details. DAGA, 36. Jahrestagung für Akustik .

Lykartsis, A.; Lerch, A.; Weinzierl, S. (2015). Analysis of Speech Rhythm for Language Identification Based on Beat Histograms. Fortschritte der Akustik: Tagungsband d. 41. DAGA .

Werner, Tobias and Maempel, Hans-Joachim and Weinzierl, Stefan (2011). Zur Hörbarkeit nichtlinearer Verzerrungen bei Kondensatormikrofonen. 26th VDT International Convention 437–448.

Lykartsis, A.; Weinzierl, S. (2015). Using the Beat Histogram for Speech Rhythm Description and Language Identification. Sixteenth Annual Conference of the International Speech Communication Association .

Roman, Karl and Maempel, Hans-Joachim and Weinzierl, Stefan (2008). Zur Wahrnehmung überlagerter Signalreflexionen. DAGA, 34. Jahrestagung für Akustik .

Lykartsis, A.; Wu, C. W.; Lerch, A. (2015). Beat Histogram Features from NMF-based Novelty Functions for Music Classification. 6th International Society for Music Information Retrieval Conference .

Schröder, Dirk and Strake, Björn and Maempel, Hans-Joachim (2010). Optimization of Input Parameters for the Real-time Simulation of Room Acoustics - Revisited. DAGA, 36. Jahrestagung für Akustik .

Lykartsis, A.; Lerch, A. (2015). Beat Histogram Features for Rhythm-Based Musical Genre Classification using Multiple Novelty Functions. Proceedings of the 18th International Conference on Digital Audio Effects (DAFx) .

Maempel, Hans-Joachim (2010). McGurk-Effekt. In: La Motte-Haber, Helga de and Loesch, Heinz von and Rötter, Günther and Utz, Christian (Ed.) Lexikon der Systematischen Musikwissenschaft Laaber: Laaber, (pp. 276–277).

Gawlik, Fabian and Maempel, Hans-Joachim (2009). Der Einfluss des Sendewegprocessings auf die Senderwahl von Radiohörern. Bericht der 25. Tonmeistertagung 278–290.

Heide, Berta Luise and Maempel, Hans-Joachim (2011). Die Wahrnehmung audiovisueller Synchronität in elektronischen Medien. 26th VDT International Convention 525–537.

Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012). The FireFader and Derivatives: Simple, Open-Source, and Reconfigurable Haptics for Musicians. Proceedings of the 9th Sound and Music Computing Conference 90–98.

Müllensiefen, Daniel and Egermann, Hauke and Burrows, Sean (2015). Learning Statistical Regularities of a Simple Musical ` Genre ': The Case of Radio Station Jingles. Proceedings of the European Conference on Data Analysis 1.

Manuel Anglada-Tort and Daniel Müllensiefen (2016). The Song Remains the Same: Biases in Musical Judgements and the Illusion of Hearing Different Songs. Proceedings of the 14th International Conference of Music Perception and Cognition (ICMPC) .

Kloppenburg, Marcel and Maempel, Hans-Joachim and Weinzierl, Stefan (2007). The appropriateness of the psychoacoustic measures sharpness and roughness for the prediction of aesthetic impression caused by sound. Bericht der 24. Tonmeistertagung .

P. Luizard and N. Henrich Bernardoni and C. Böhm (2020). Using virtual acoustics and electroglottography to study the adaptation of singing voice production. Proc. Forum Acusticum, Lyon, France, 20-24 April .

Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012). Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance. Proceedings of the International Computer Music Conference 387–390.

Schultz, Christof Martin and Seedorf, Marten and Förstel, Alexander and Egermann, Hauke (2015). Signale – Entwicklung und Evaluation eines Open Source Ensembles elektronischer Musikinstrumente zur Vermittlung elektronischer/elektroakustischer Musik und ihrer technischen Grundlagen. Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie 1–2.

Manuel Anglada-Tort and Daniel Müllensiefen (2017). Does the Fluency of Artists and Songs' Names Matter? The Effect of Linguistic Fluency on Evaluations of Music. Proceedings of the European Society for Cognitive Sciences of Music (ESCOM) .

Brunner, Stefan and Maempel, Hans-Joachim and Weinzierl, Stefan (2007). On the Audibility of Comb Filter Distortions. Bericht der 24. Tonmeistertagung .

P. Luizard and S. Gerber and N. Henrich Bernardoni (2020). How voice production of singers is influence by room acoustics. International Conference on Voice Physiology and Biomechanics (ICVPB), Grenoble, France, 18-20 March .

Emerson, Gina and Förstel, Alexander and Egermann, Hauke (2015). Gesture-sound causality from the audience's perspective: Investigating the influence of mapping design on the reception of new digital musical instruments. Tagungsband Jahrestagung der deutschen Gesellschaft für Musikpsychologie 1–2.

Amanda Krause and Manuel Anglada-Tort and Adrian North (2017). Gender and Pop Music Lyrics. Proceedings of the European Society for Cognitive Sciences of Music (ESCOM) .

Brunner, Stefan and Maempel, Hans-Joachim and Weinzierl, Stefan (2007). On the audibility of comb-filter distortions. 122nd AES Convention .

Edgar Berdahl and Julius O. Smith III (2012). An Introduction to the Synth-A-Modeler Compiler: Modular and Open-Source Sound Synthesis using Physical Models. Proceedings of the Linux Audio Conference .

Steger, Dominik and Egermann, Hauke and Weinzierl, Stefan and Bewegung, Die (2015). Spielbewegungen von Musikinstrumenten und deren Bedeutung für das Klangergebnis - Ein experimenteller Zugang durch Motion Tracking klassischer Orchesterinstrumente und Auralisation der Bewegungsdaten. Fortschritte der Akustik: Tagungsband d. 41. DAGA 1425–1428.

Tom Baker and Manuel Anglada-Tort and Daniel Müllensiefen (2018). How Reliable is Memory for Music? Exploring False Memories in Music Listening. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Ciba, Simon and Wlodarski, André and Maempel, Hans-Joachim (2009). WhisPER – A new tool for performing listening tests. 126th AES Convention P18-1, Convention Paper 7749.

Papadogianni-Kouranti, Martha and Egermann, Hauke and Weinzierl, Stefan (2015). Auditive and Audiotactile Music Perception of Cochlear Implant Users Master of Science. Fortschritte der Akustik: Tagungsband d. 41. DAGA 1203–1205.

Manuel Anglada-Tort and Katie Rose Sanfilippo (2018). Visualizing Music Psychology: Who, What, When, and Where?. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Maempel, Hans-Joachim (2008). Medien und Klangästhetik. In: Bruhn, Herbert (Ed.) Musikpsychologie Reinbek bei Hamburg: Rowohlt, (pp. 231–252).

Ackermann, David and Ilse, Maximilan and Grigoriev, Dmitry and Lepa, Steffen and Pelzer, Sönke and Vorländer, Michael and Weinzierl, Stefan (2018). A Ground Truth on Room Acoustical Analysis and Perception (GRAP). https://dx.doi.org/10.14279/depositonce-7003

Förstel, Alexander and Egermann, Hauke (2015). Performance expertise of DJs in the club-context. Abstract Book of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music 367.

Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Der Einfluss der Herkunft von Musik auf deren ästhetische Bewertung und die erwarteten Nutzungskosten im Kontext der Werbung. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .

Maempel, Hans-Joachim (2010). Audiovisuelle Wahrnehmung. In: La Motte-Haber, Helga de and Loesch, Heinz von and Rötter, Günther and Utz, Christian (Ed.) Lexikon der Systematischen Musikwissenschaft Laaber: Laaber, (pp. 49–53).

Böhm, Christoph and Ackermann, David and Weinzierl, Stefan (2018). A Multi-channel Anechoic Orchestra Recording of Beethoven's Symphony No. 8 op. 93. https://dx.doi.org/10.14279/depositonce-6729

Egermann, Hauke and Förstel, Alexander and Lehrbach, Nico and Wende, Markus (2015). Swinging to the beat – Movement induction in electronic dance music. Proceedings of the Ninth Triennial Conference of the European Society for the Cognitive Sciences of Music 338–340.

Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Consider the Source: The Effects of Source Bias on Professional Assessment of Music Quality and Worth. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .