Publications

Gebhardt, R; Lykartsis, A.; Weinzierl, S.; (2020). Eine qualitative Untersuchung der Generalisierungsverhaltens von CNNs zur Instrumentenerkennung [19]. Fortschritte der Akustik: Tagungsband d. 46. DAGA, Nürnberg, Germany .

Dernbach, G; Lykartsis, A; Sievers, L; Weinzierl, S. (2020). Acoustic Identification of Flat Spots On Wheels Using Different Machine Learning Techniques [20]. .

Schmidts, Christian and Pfeiffer, Sven and Kokabi, Omid (2020). RESONATOR — An Iterative Approach for Designing Acoustically-Driven Morphologies [21]. Impact: Design With All Senses 189-198.

P. Luizard and N. Henrich Bernardoni and C. Böhm (2020). Using virtual acoustics and electroglottography to study the adaptation of singing voice production [22]. Proc. Forum Acusticum, Lyon, France, 20-24 April .

P. Luizard and S. Gerber and N. Henrich Bernardoni (2020). How voice production of singers is influence by room acoustics [23]. International Conference on Voice Physiology and Biomechanics (ICVPB), Grenoble, France, 18-20 March .

P. Luizard and J. Steffens and S. Weinzierl (2020). Singing in different rooms: Common or individual adaptation patterns to the acoustic conditions? [24]. Journal of the Acoustical Society of America 147(2), EL132-EL137.

Ackermann, David and Fiedler, Felicitas and Brinkmann, Fabian and Schneider, Martin and Weinzierl, Stefan (2020). On the Acoustic Qualities of Dynamic Pseudo-Binaural Recordings [25]. 68(6) 418–427.

Greif, Jakob and Ackermann, David and Weinzierl, Stefan (2020). Kann man die Form eines Konzertsaales hören? Ein audiovisueller Test in simulierten 3D Umgebungen [26]. Fortschritte der Akustik - DAGA Hannover , 1153–1156.

P. Luizard and N. Henrich Bernardoni (2020). Changes in the voice production of solo singers across concert halls [27]. Journal of the Acoustical Society of America 148(1), EL33–EL39.

Stein, L.; Straube, F.; Sesterhenn, J.; Weinzierl, S.; Lemke, M. (2019). Adjoint-Based Optimization of Sound Reinforcement Including Non-Uniform Flow [28]. J. Acoust. Soc. Am. 146(3), 1774–1785.

Lukas Aspöck and Fabian Brinkmann and David Ackerman and Stefan Weinzierl and Michael Vorländer (2019). BRAS – Benchmark for Room Acoustical Simulation [29]. https://dx.doi.org/10.14279/depositonce-6726.2 [30]

Kokabi, Omid and Brinkmann, Fabian and Weinzierl, Stefan (2019). Prediction of speech intelligibility using pseudo-binaural room impulse responses [31]. The Journal of the Acoustical Society of America 145(4), EL329-333.

Lykartsis, A; Kotti, M (2019). Prediction of User Emotion and Dialogue Success Using Audio Spectrograms and Convolutional Neural Networks [32]. Proceedings of the 20th Annual SIGdial Meeting on Discourse and Dialogue .

Straube, F. (2019). Optimized Geometric and Electronic Wavefront Shaping with Line Source Arrays for Large-Scale Sound Reinforcement [33]. PhD Thesis, TU Berlin 1–123.

Stein, L.; Straube, F.; Sesterhenn, J.; Weinzierl, S.; Lemke, M. (2019). Adjoint-Based Sound Reinforcement in the Time Domain [34]. Proc. of the 23rd Int. Cong. on Acoustics 1162–1169.

Lemke, M.; Straube, F.; Stein, L.; Weinzierl, S. (2019). Optimized Sound Field Generation in the Time Domain - Validation for Source Arrays in 2D [35]. Fortschritte der Akustik: Tagungsband d. 45. DAGA 1442–1445.

Manuel Anglada-Tort (2019). Commentary on Canonne (2019): Listening to Improvisation [36]. Empirical Musicology Review 13(1-2), 16-20.

Fabian Brinkmann and Lukas Aspöck and David Ackermann and Horst Steffen and Michael Vorländer and Stefan Weinzierl (2019). A round robin on room acoustical simulation and auralization [37]. J. Acoust. Soc. Am. 145(4), 2746–2760.

Christoph Pörschmann and Johannes Arend and Fabian Brinkmann (2019). Directional equalization of sparse head-related transfer function sets for spatial upsampling [38]. IEEE/ACM Trans. Audio, Speech, Language Process. 27(6), 1060–1071.

Manuel Anglada-Tort and Daniel Müllensiefen (2019). The Repeated Recording Illusion [39]. Again & Again. Musical Repetition in Aesthetics, Analysis, and Experience .

Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2019). The Behavioral Economics of Music [40]. Prague Conference on Behavioral Science (PCBS) .

Manuel Anglada-Tort and Heather Thueringer and Diana Omigie (2019). The busking experiment: A field study measuring behavioral responses to street music performances [41]. Psychomusicology: Music, Mind, and Brain 29(1), 46-55.

Ackermann, David and Böhm, Christoph and Brinkmann, Fabian and Weinzierl, Stefan (2019). The Acoustical Effect of Musicians' Movements During Musical Performances [42]. Acta Acustica united with Acustica 105(2), 356–367.

P. Luizard and E. Brauer and S. Weinzierl (2019). Singing in physical and virtual environments: how performers adapt to room acoustical conditions [43]. Proc. Conference of the Audio Engineering Society on Immersive and interactive audio 2019, York, UK, 27-29 March .

P. Luizard and J. Steffens and S. Weinzierl (2019). Adaptation of singers to physical and virtual room acoustics [44]. Proc. International Symposium on Room Acoustics, Amsterdam, The Netherlands, 15-17 September .

P. Luizard and S. Weinzierl and E. Brauer (2019). Singing adaptation in real and virtual acoustics [45]. Proc. DAGA (German Acoustical Society Conference), Rostock, Germany, 19-21 March .

Schröder, Julia H. (2019). Total Theatre and Music Theatre: Tracing Influences from Pre- to Post-War Avant-Gardes [46]. In: Adlington, Robert (Ed.) New music theatre in Europe Oxon: Routledge, (pp. 33–51).

Christoph Pörschmann and Johannes M. Arend and Fabian Brinkmann (2019). Spatial upsampling of individual sparse head-related transfer function sets by directional equalization [47]. Int. Congress on Acoustics (ICA) 4848–4855.

Florian Denk and Fabian Brinkmann and Alferd Stirnemann and Birger Kollmeier (2019). The PIRATE: An anthropometric earPlug with exchangeable microphones for Individual Relaiable Acquisition of Transfer functions at the Ear canal entrance [48]. Fortschritte der Akustik – DAGA 2019 635–638.

Fabian Brinkmann (2019). Binaural processing for the evaluation of acoustical environments [49]. Technical University Berlin Berlin, Germany , .

Manuel Anglada-Tort and Amanda Krause and Adrian North (2019). Popular music lyrics and musicians' gender over time: A computational approach [50]. Psychology of Music , .

Elisabeth Schmierer (2019). Geschichte der Messe: Eine Einführung [51]. Laaber: Laaber-Verlag.

Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2019). Modeling Music-Selection Behavior in Everyday Life: A Multilevel Statistical Learning Approach and Mediation Analysis of Experience Sampling Data [52]. Frontiers in psychology 10(390), 1–20.

Manuel Anglada-Tort and Katie Rose Sanfilippo (2019). Visualizing Music Psychology: A Bibliometric Analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017 [53]. Music & Science 2, 2059204318811786.

Straube, F.; Schultz, F.; Makarski, M.; Weinzierl, S. (2018). Mixed Analytical-Numerical Filter Design for Optimized Electronic Control of Line Source Arrays [54]. J. Audio Eng. Soc. 66(9), 690–702.

Vera Erbes and Fabian Brinkmann (2018). Extending the closed form image source model for source directivity (Digital appendix) [55]. https://dx.doi.org/10.14279/depositonce-6724 [56]

Fabian Brinkmann and Vera Erbes and Stefan Weinzierl (2018). Extending the closed form image source model for source directivity [57]. Fortschritte der Akustik - DAGA 2018 1298–1301.

Lukas Aspöck and Fabian Brinkmann and David Ackermann and Stefan Weinzierl and Michael Vorländer (2018). Eine Datenbank zur Validierung von akustischen Simulationen [58]. Fortschritte der Akustik - DAGA 2018 1337.

Silke Bögelein and Fabian Brinkmann and David Ackermann and Stefan Weinzierl (2018). Localization cues of a spherical head model [59]. Fortschritte der Akustik - DAGA 2018 347-350.

Straube, F.; Schultz, F.; Bonillo, D.A.; Weinzierl, S. (2018). An Analytical Approach for Optimizing the Curving of Line Source Arrays [60]. J. Audio Eng. Soc. 66(1/2), 4–20.

Brinkmann, Fabian and Weinzierl, Stefan (2018). Comparison of head-related transfer functions pre-processing techniques for spherical harmonics decomposition [61]. AES Int. Conf. on Audio for Virtual and Augmented Reality (AVAR) Redmond, USA , 1-10.

Gebhardt, R. B.; Stein, M.; Lykartsis, A. (2018). A Confidence Measure For Key Labelling [62]. Proceedings of the 19th International Society for Music Information Retrieval Conference (ISMIR), pp. 3-9 .

Lykartsis, A.; Kotti, M.; Papangelis, A.; Stylianou, Y. (2018). Prediction of Dialogue Success with Spectral and Rhythm Acoustic Features Using SVMs and DNNs [63]. IEEE Speech and Language Technology Workshop 2018 .

Lykartsis, A.; Pysiewicz, A. (2018). Assessment of Feature Extraction Methods for Audio Fingerprinting [64]. Abstract/LBD Proceedings of the 19th International Society for Music Information Retrieval Conference .

Saitis, C.; Lykartsis, A.; Weinzierl, S. (2018). Verbal Data-Driven Semantic Dimensions of Musical Timbre [65]. Fortschritte der Akustik. Tagungsband d. 44. DAGA .

Manuel Anglada-Tort and Thomas Baker and Daniel Müllensiefen (2018). False memories in music listening: exploring the misinformation effect and individual difference factors in auditory memory [66]. Memory , 1-16.

Katz, B.F.G and Poirier-Quinot, D. and Postma, B.N.J. and Thery, D. and Luizard, P. (2018). Objective and perceptive evaluations of high-resolution room acoustic simulations and auralizations [67]. Proc. Euronoise2018 Conference, Heraklion, Greece, 27-31 May .

P. Luizard and C. d'Alessandro (2018). Effet des jalousies du récit d’orgue comme moyen d’expressivité musicale [68]. Proc. 14th Congrès Français d'Acoustique, Le Havre, France, 23-27 April .

P. Luizard and E. Brauer and S. Weinzierl and N. Henrich (2018). Vocal adaptation of singers to room acoustics [69]. Proc. DAGA (German Acoustical Society Conference), Munich, Germany, 19-22 March .

P. Luizard and E. Brauer and S. Weinzierl and N. Henrich (2018). The behavior of singers to adapt to various room acoustics [70]. Proc. Auditorium Acoustics Conference, Hamburg, Germany, 4-6 October .