Publications

Kokabi, Omid and Brinkmann, Fabian and Weinzierl, Stefan (2019). Prediction of speech intelligibility using pseudo-binaural room impulse responses [18]. The Journal of the Acoustical Society of America 145(4), EL329-333.

Straube, F. (2019). Optimized Geometric and Electronic Wavefront Shaping with Line Source Arrays for Large-Scale Sound Reinforcement [19]. TU Berlin , .

Lemke, M.; Straube, F.; Stein, L.; Weinzierl, S. (2019). Optimized Sound Field Generation in the Time Domain - Validation for Source Arrays in 2D [20]. Fortschritte der Akustik: Tagungsband d. 45. DAGA , 1442–1445.

Manuel Anglada-Tort (2019). Commentary on Canonne (2019): Listening to Improvisation [21]. Empirical Musicology Review 13(1-2), 16-20.

Fabian Brinkmann and Lukas Aspöck and David Ackermann and Horst Steffen and Michael Vorländer and Stefan Weinzierl (2019). A round robin on room acoustical simulation and auralization [22]. J. Acoust. Soc. Am. 145(4), 2746–2760.

Christoph Pörschmann and Johannes Arend and Fabian Brinkmann (2019). Directional equalization of sparse head-related transfer function sets for spatial upsampling [23]. IEEE/ACM Trans. Audio, Speech, Language Process. 27(6), 1060–1071.

Manuel Anglada-Tort and Daniel Müllensiefen (2019). The Repeated Recording Illusion [24]. Again & Again. Musical Repetition in Aesthetics, Analysis, and Experience .

Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2019). The Behavioral Economics of Music [25]. Prague Conference on Behavioral Science (PCBS) .

Manuel Anglada-Tort and Heather Thueringer and Diana Omigie (2019). The busking experiment: A field study measuring behavioral responses to street music performances [26]. Psychomusicology: Music, Mind, and Brain 29(1), 46-55.

Ackermann, David and Böhm, Christoph and Brinkmann, Fabian and Weinzierl, Stefan (2019). The Acoustical Effect of Musicians' Movements During Musical Performances [27]. Acta Acustica united with Acustica 105(2), 356–367.

Elisabeth Schmierer (2019). Geschichte der Messe: Eine Einführung [28]. Laaber: Laaber-Verlag.

Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2019). Modeling Music-Selection Behavior in Everyday Life: A Multilevel Statistical Learning Approach and Mediation Analysis of Experience Sampling Data [29]. Frontiers in psychology 10(390), 1–20.

Manuel Anglada-Tort and Katie Rose Sanfilippo (2019). Visualizing Music Psychology: A Bibliometric Analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017 [30]. Music & Science 2, 2059204318811786.

Straube, F.; Schultz, F.; Makarski, M.; Weinzierl, S. (2018). Mixed Analytical-Numerical Filter Design for Optimized Electronic Control of Line Source Arrays [31]. J. Audio Eng. Soc. 66(9), 690–702.

Vera Erbes and Fabian Brinkmann (2018). Extending the closed form image source model for source directivity (Digital appendix) [32]. https://dx.doi.org/10.14279/depositonce-6724 [33]

Fabian Brinkmann and Vera Erbes and Stefan Weinzierl (2018). Extending the closed form image source model for source directivity [34]. Fortschritte der Akustik - DAGA 2018 1298–1301.

Lukas Aspöck and Fabian Brinkmann and David Ackermann and Stefan Weinzierl and Michael Vorländer (2018). Eine Datenbank zur Validierung von akustischen Simulationen [35]. Fortschritte der Akustik - DAGA 2018 1337.

Silke Bögelein and Fabian Brinkmann and David Ackermann and Stefan Weinzierl (2018). Localization cues of a spherical head model [36]. Fortschritte der Akustik - DAGA 2018 347-350.

Straube, F.; Schultz, F.; Bonillo, D.A.; Weinzierl, S. (2018). An Analytical Approach for Optimizing the Curving of Line Source Arrays [37]. J. Audio Eng. Soc. 66(1/2), 4–20.

Brinkmann, Fabian and Weinzierl, Stefan (2018). Comparison of head-related transfer functions pre-processing techniques for spherical harmonics decomposition [38]. AES Int. Conf. on Audio for Virtual and Augmented Reality (AVAR) Redmond, USA , 1-10.

Manuel Anglada-Tort and Thomas Baker and Daniel Müllensiefen (2018). False memories in music listening: exploring the misinformation effect and individual difference factors in auditory memory [39]. Memory , 1-16.

Weinzierl, S. and Lepa, S. and Ackermann, D. (2018). A measuring instrument for the auditory perception of rooms. The Room Acoustical Quality Inventory (RAQI) [40]. Journal of the Acoustical Society of America 144(3), 1245–1257.

Weinzierl, S. and Lepa, S. and Schultz, F. and Detzner, E. and von Coler, H. and Behler, G. (2018). Sound power and timbre as cues for the dynamic strength of orchestral instruments [41]. Journal of the Acoustical Society of America 144(3), 1347–1355.

Lavia, Lisa and Witchel, Harry J. and Aletta, Francesco and Steffens, Jochen and Fiebig, André and Kang, Jian and Howes, Christine and Healey, Patrick G.T. (2018). Non-Participant Observation Methods for Soundscape Design and Urban Planning [42]. In: Aletta, Francesco and Xiao, Jieling (Ed.) Handbook of Research on Perception-Driven Approaches to Urban Assessment and Design Hershey, PA: IGI-Global, (pp. 73–99).

Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2018). Understanding music-selection behavior via statistical learning [43]. Music & Science 1(2), 205920431875595.

Kokabi, Omid and Brinkmann, Fabian and Weinzierl, Stefan (2018). Segmentation of binaural room impulse responses for speech intelligibility prediction [44]. The Journal of the Acoustical Society of America 144(5), 2793-2800.

Stefano Papetti and Charalampos Saitis (2018). Musical Haptics: Introduction [45]. In: Stefano Papetti and Charalampos Saitis (Ed.) Musical Haptics Cham, Switzerland: Springer, (pp. 1–7).

Christoph Reuter and Jörg Jewanski and Charalampos Saitis and Isabella Czedik-Eysenberg and Saleh Siddiq and Michael Oehler (2018). Colors and timbres – consistent color-timbre mappings at non-synesthetic individuals [46]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .

Charalampos Saitis and Hanna Järveläinen and Claudia Fritz (2018). The Role of Haptic Cues in Musical Instrument Quality Perception [47]. In: Stefano Papetti and Charalampos Saitis (Ed.) Musical Haptics Cham, Switzerland: Springer, (pp. 73–93).

Charalampos Saitis and Kai Siedenburg (2018). Bright strings versus bright trumpets: Acoustic and categorical dissimilarity of timbral brightness [48]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .

Steffens, Jochen and Lepa, Steffen and Herzog, Martin and Schönrock, Andreas and Egermann, Hauke (2018). ''Bridging the Semantic Gap'' - Kann der semantische Ausdruck von Musik mithilfe von akustischen Signaleigenschaften vorhergesagt werden? [49]. Fortschritte der Akustik - DAGA 2018 (München) .

Stefano Papetti and Charalampos Saitis (2018). Musical Haptics [50]. London: Springer.

Charalampos Saitis and Kai Siedenburg (2018). Exploring the role of source-cause categories in timbral brightness perception [51]. Proceedings of Timbre 2018: Timbre is a Many-Splendored Thing .

Charalampos Saitis and Athanasios Lykartsis and Stefan Weinzierl (2018). Verbal Data-Driven Semantic Dimensions of Musical Timbre [52]. Proceedings of DAGA 2018–-44. Deutsche Jahrestagung für Akustik .

Charalampos Saitis and Mohammad Zavid Parvez and Kyriaki Kalimeri (2018). Cognitive load assessment from EEG and peripheral biosignals for the design of visually impaired mobility aids [53]. Wireless Communications and Mobile Computing, Special Issue on Mobile Assistive Technologies 2018(Article ID 8971206), .

Fabian Brinkmann and Heinz von Loesch (2018). Tempo data from 50 performances of Beethovens Appassionata (Op. 57) [54]. https://dx.doi.org/10.14279/depositonce-7002 [55]

Charalampos Saitis and Kyriaki Kalimeri (2018). Multimodal classification of stressful environments in visually impaired mobility using EEG and peripheral biosignals [56]. IEEE Transactions on Affective Computing , .

Tom Baker and Manuel Anglada-Tort and Daniel Müllensiefen (2018). How Reliable is Memory for Music? Exploring False Memories in Music Listening [57]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Manuel Anglada-Tort and Katie Rose Sanfilippo (2018). Visualizing Music Psychology: Who, What, When, and Where? [58]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Ackermann, David and Ilse, Maximilan and Grigoriev, Dmitry and Lepa, Steffen and Pelzer, Sönke and Vorländer, Michael and Weinzierl, Stefan (2018). A Ground Truth on Room Acoustical Analysis and Perception (GRAP) [59]. https://dx.doi.org/10.14279/depositonce-7003 [60]

Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Der Einfluss der Herkunft von Musik auf deren ästhetische Bewertung und die erwarteten Nutzungskosten im Kontext der Werbung [61]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .

Böhm, Christoph and Ackermann, David and Weinzierl, Stefan (2018). A Multi-channel Anechoic Orchestra Recording of Beethoven's Symphony No. 8 op. 93 [62]. https://dx.doi.org/10.14279/depositonce-6729 [63]

Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Consider the Source: The Effects of Source Bias on Professional Assessment of Music Quality and Worth [64]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Manoj Dinakaran and Fabian Brinkmann and Stine Harder and Robert Pelzer and Peter Grosche and Rasmus R. Paulsen and Stefan Weinzierl (2018). Perceptually motivated analysis of numerically simulated head-related transfer functions generated by various 3D surface scanning systems [65]. IEEE Int. Conf. Acoustics, Speech and Signal Processing (ICASSP) 551–555.

Brinkmann, Fabian and Weinzierl, Stefan (2018). Comparison of head-related transfer functions pre-processing techniques for spherical harmonics decomposition [66]. AES Int. Conf. on Audio for Virtual and Augmented Reality (AVAR) Redmond, USA , 1-10.

Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2018). Names and Titles Matter: The Impact of Linguistic Fluency and the Affect Heuristic on Aesthetics and Value Judgements of Music [67]. Psychology of Aesthetics, Creativity, and the Arts , .

Ackermann, David and Böhm, Christoph and Weinzierl, Stefan (2018). A Database on Musicians' Movements During Musical Performances [68]. https://dx.doi.org/10.14279/depositonce-7469 [69]

Schwab-Felisch, Oliver (2018). Verzerrte Instanzen. Struktur und Wahrnehmung musikalischer Schemata in Werken Beethovens und Schuberts [70]. Musiktheorie 33(1), 17–29.

Anglada-Tort, Manuel and Keller, Steve and Steffens, Jochen and Müllensiefen, Daniel (2018). Consider the Source: The Effect of Source Bias on Professional and Consumer Evaluation of Music Aesthetics and Expected Cost in Advertising [71]. submitted manuscript , .

Lepa, Steffen and Herzog, Martin and Peeters, Geoffroy and Steffens, Jochen and Wages, Richard and Egermann, Hauke (2018). A Knowledge-Based Recommender System for Music Branding [72]. submitted manuscript , .