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TU Berlin

Inhalt des Dokuments

Publications

(2014). Akustische Grundlagen der Musik. Laaber: Laaber.


(2010). Hearing a shakkei: the Japanese garden as an aural architecture. Collegium Helveticum, Zürich , .


A

Abels, Norbert and Schmierer, Elisabeth (2012). Hans Werner Henze und seine Zeit. Laaber and Oberpf: Laaber.


Ackermann, David and Ilse, Maximilan and Grigoriev, Dmitry and Lepa, Steffen and Pelzer, Sönke and Vorländer, Michael and Weinzierl, Stefan (2018). A Ground Truth on Room Acoustical Analysis and Perception (GRAP). https://dx.doi.org/10.14279/depositonce-7003


Ackermann, David and Böhm, Christoph and Weinzierl, Stefan (2017). On the numerical simulation of natural acoustic sound sources. The Journal of the Acoustical Society of America 141(5), 3997–3997.


Ackermann, David and Böhm, Christoph and Weinzierl, Stefan (2018). A Database on Musicians' Movements During Musical Performances. https://dx.doi.org/10.14279/depositonce-7469


Ahnert, Wolfgang and Feistel, Stefan and Lentz, Tobias and Moldrzyk, Christoph and Weinzierl, Stefan (2004). Head-Tracked Auralization of Acoustical Simulation. AES 117th Convention .


Manuel Anglada-Tort and Daniel Müllensiefen (2016). The Song Remains the Same: Biases in Musical Judgements and the Illusion of Hearing Different Songs. Proceedings of the 14th International Conference of Music Perception and Cognition (ICMPC) .


Manuel Anglada-Tort and Daniel Müllensiefen (2017). Does the Fluency of Artists and Songs' Names Matter? The Effect of Linguistic Fluency on Evaluations of Music. Proceedings of the European Society for Cognitive Sciences of Music (ESCOM) .


Manuel Anglada-Tort and Katie Rose Sanfilippo (2018). Visualizing Music Psychology: Who, What, When, and Where?. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Der Einfluss der Herkunft von Musik auf deren ästhetische Bewertung und die erwarteten Nutzungskosten im Kontext der Werbung. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .


Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Consider the Source: The Effects of Source Bias on Professional Assessment of Music Quality and Worth. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Manuel Anglada-Tort and Daniel Müllensiefen (2017). The Repeated Recording Illusion: The Effects of Extrinsic and Individual Difference Factors on Musical Judgements. Music Perception 1(35), 94–117.


Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2018). Names and Titles Matter: The Impact of Linguistic Fluency and the Affect Heuristic on Aesthetics and Value Judgements of Music. Psychology of Aesthetics, Creativity, and the Arts , .


Lukas Aspöck and Fabian Brinkmann and David Ackermann and Michael Vorlaender (2017). First international round robin on auralization: Results of the acoustical evaluation (A). The Journal of the Acoustical Society of America 141(5), 3856-3856.


Lukas Aspöck and Fabian Brinkmann and David Ackerman and Stefan Weinzierl and Michael Vorländer (2018). Eine Datenbank zur Validierung von akustischen Simulationen. Fortschritte der Akustik - DAGA 2018 1337.


B

M.A.J. Baalman and D. Plewe (2004). WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations. International Computer Music Conference 2004, Miami, 1-6 November 2004 , .


M.A.J. Baalman (2004). Application of Wave Field Synthesis in electronic music and sound installations. 2nd International Linux Audio Conference, 29 april - 2 Mai 2004, ZKM, Karlsruhe , .


Baalman, M.A.J. (2005). Discretisation of complex sound sources for reproduction with Wave Field Synthesis. DAGA '05, 14 - 17 March 2005, München , .


Baalman, M.A.J. (2005). Updates of the WONDER software interface for using Wave Field Synthesis. 3rd International Linux Audio Conference, April 21-24, 2005, ZKM, Karlsruhe , .


Baalman, M.A.J. (2005). Elevation problems in the auralisation of sound sources with arbitrary shape with Wave Field Synthesis. ICMC 2005, 1-6 September 2005, Barcelona, Spain , .


Baalman, M.A.J. (2006). swonder3Dq: Auralisation of 3D objects with Wave Field Synthesis. 4th International Linux Audio Conference, April 27-30, 2006, ZKM, Karlsruhe , .


M.A.J. Baalman (2006). Reproduction of arbitrarily shaped sound sources with Wave Field Synthesis - Theory and Implementation. Tonmeistertagung 2006, Leipzig, 16-19 November 2006 , .


Marije A.J. Baalman and Torben Hohn and Simon Schampijer and Thilo Koch (2007). Renewed architecture of the \textitsWONDER software for Wave Field Synthesis on large scale systems. Linux Audio Conference 2007, TU Berlin, 22-25 March 2007 , .


Marije A.J. Baalman (2007). Reproduction of arbitrarily shaped sound sources with Wave Field Synthesis - physical and perceptive effects. AES 122nd Convention, Vienna, 5-8 May 2007 , .


Tom Baker and Manuel Anglada-Tort and Daniel Müllensiefen (2018). How Reliable is Memory for Music? Exploring False Memories in Music Listening. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .


Zamir Ben-Hur and Fabian Brinkmann and Jonathan Sheaffer and Stefan Weinzierl and Boaz Rafaely (2017). Spectral equalization in binaural signals represented by order-truncated spherical harmonics. J. Acoust. Soc. Am. 141(6), 4087-4096.


Edgar Berdahl and Julius O. Smith III and Stefan Weinzierl and Gunter Niemeyer (2012). Force-Sensitive Detents Improve User Performance for Linear Selection Tasks. IEEE Transactions on Haptics Los Alamitos, CA, USA IEEE Computer Society 131(PrePrints), 1.


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012). The FireFader and Derivatives: Simple, Open-Source, and Reconfigurable Haptics for Musicians. Proceedings of the 9th Sound and Music Computing Conference 90–98.


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012). Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance. Proceedings of the International Computer Music Conference 387–390.


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2013). The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians. To appear in the Computer Music Journal Cambridge, MA, USA MIT Press , .


Edgar Berdahl and Julius O. Smith III (2012). An Introduction to the Synth-A-Modeler Compiler: Modular and Open-Source Sound Synthesis using Physical Models. Proceedings of the Linux Audio Conference .


Berdahl, Edgar and Smith III,Julius O. and Niemeyer, Günter (2012). Feedback Control of Acoustic Musical Instruments: Collocated Control Using Physical Analogs. Accepted for publication in the Journal of the Acoustical Society of America , .


Berdahl, Edgar (2011). FireFader: A single degree-of-freedom force-feedback device for multimodal interaction with physical models. 162nd Meeting of the Acoustical Society of America .


Berdahl, Edgar and Chafe, Chris (2011). Autonomous New Media Artefacts (AutoNMA). Proceedings of the International Conference on New Interfaces for Musical Expression 322–323.


Berdahl, Edgar and Ju, Wendy (2011). Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform. Proceedings of the International Conference on New Interfaces for Musical Expression 173–178.


Berdahl, Edgar and Florens, Jean-Loup and Cadoz, Claude (2011). Using Physical Models is Necessary to Guarantee Stabile Analog Haptic Feedback for Any New User and Haptic Device. Proceedings of the 8th Sound and Music Computing Conference .


Berdahl, Edgar and Niemeyer, Günter and Smith III, Julius O. (2010). Haptic interaction for music with unrestricted freedom of the musician's motion: Promoting augmented interaction with physical tools. 159th Meeting of the Acoustical Society of America .


Berdahl, Edgar and Ju, Wendy and Smith III, Julius O. (2010). Homemade Digital Musical Instruments. 159th Meeting of the Acoustical Society of America .


Berdahl, Edgar and Harris, Dan and Niemeyer, Günter and Smith III, Julius O. (2010). An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes. Proceedings of NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America .


Berdahl, Edgar and Harris, Dan (2010). Frequency Shifting For Acoustic Howling Suppression. Proceedings of the 13th International Conference on Digital Audio Effects .


Berdahl, Edgar and Harris, Dan (2010). Smart Microphone for Howling Prevention: A context-aware audio device. Proceedings of the IEEE Workshop on Signal Processing Systems 472–477.


Berdahl, Edgar and Smith III, J.O. and Niemeyer, Günter (2010). Mechanical Sound Synthesis: And the new Application of Force-Feedback Teleoperation of Acoustic Musical Instruments. Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10) .


Berdahl, Edgar and Niemeyer, Günter and Smith III, Julius (2010). A physically motivated room reverberation enhancement system that is stable in any (dissipative) room: An application of sound portholes. Proceedings of NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America .


Berdahl, Edgar (2009). Applications of Feedback Control to Musical Instrument Design. Stanford University Stanford, CA, USA , .


Berdahl, Edgar and Niemeyer, Günter and Smith, Julius O. (2009). Using Haptic Devices to Interface Directly with Digital Waveguide-Based Musical Instruments. Proceedings of the Ninth International Conference on New Interfaces for Musical Expression 183–186.


Berdahl, Edgar and Niemeyer, Günter and Smith, Julius O. (2009). Using Haptics to Assist Performers in Making Gestures to a Musical Instrument. Proceedings of the Ninth International Conference on New Interfaces for Musical Expression 177–182.


Berdahl, Edgar and Niemeyer, Günter and Smith, Julius O. (2009). HSP: A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments. Proceedings of the Ninth International Conference on New Interfaces for Musical Expression 262–263.


Berdahl,Edgar and Niemeyer, Günter and Smith III, Julius O. (2008). Active Control of a Vibrating String. Acoustics '08: 155th Meeting of the Acoustical Society of America, 5th FORUM ACUSTICUM, and 9th Congrés Francais d'Acoustique .


Berdahl, Edgar and Smith III, Julius O. (2008). A Tangible Virtual Vibrating String. Proceedings of the International Conference on New Interfaces for Musical Expression (NIME-2008) 299–302.


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