Publications

Straube, F.; Schultz, F.; Makarski, M.; Weinzierl, S. (2018). Mixed Analytical-Numerical Filter Design for Optimized Electronic Control of Line Source Arrays [21]. J. Audio Eng. Soc. 66(9), 690–702.

Bögelein, Silke and Brinkmann, Fabian and Ackerman, David and Weinzierl, Stefan (2018). Localization cues of a spherical head model [22]. Fortschritte der Akustik textendash DAGA 2018 347–350.

Brinkmann, Fabian and Erbes, Vera and Weinzierl, Stefan (2018). Extending the closed form image source model for source directivity [23]. Fortschritte der Akustik textendash DAGA 2018 1298–1301.

Vera Erbes and Fabian Brinkmann (2018). Extending the closed form image source model for source directivity (Digital appendix) [24]. https://dx.doi.org/10.14279/depositonce-6724 [25]

Fabian Brinkmann and Vera Erbes and Stefan Weinzierl (2018). Extending the closed form image source model for source directivity [26]. Fortschritte der Akustik - DAGA 2018 1298–1301.

Lukas Aspöck and Fabian Brinkmann and David Ackermann and Stefan Weinzierl and Michael Vorländer (2018). Eine Datenbank zur Validierung von akustischen Simulationen [27]. Fortschritte der Akustik - DAGA 2018 1337.

Silke Bögelein and Fabian Brinkmann and David Ackermann and Stefan Weinzierl (2018). Localization cues of a spherical head model [28]. Fortschritte der Akustik - DAGA 2018 347-350.

Straube, F.; Schultz, F.; Bonillo, D.A.; Weinzierl, S. (2018). An Analytical Approach for Optimizing the Curving of Line Source Arrays [29]. J. Audio Eng. Soc. 66(1/2), 4–20.

Brinkmann, Fabian and Weinzierl, Stefan (2018). Comparison of head-related transfer functions pre-processing techniques for spherical harmonics decomposition [30]. AES Int. Conf. on Audio for Virtual and Augmented Reality (AVAR) Redmond, USA , 1-10.

Gebhardt, R. B.; Stein, M.; Lykartsis, A. (2018). A Confidence Measure For Key Labelling [31]. Proceedings of the 19th International Society for Music Information Retrieval Conference (ISMIR), pp. 3-9 .

Lykartsis, A.; Kotti, M.; Papangelis, A.; Stylianou, Y. (2018). Prediction of Dialogue Success with Spectral and Rhythm Acoustic Features Using SVMs and DNNs [32]. IEEE Speech and Language Technology Workshop 2018 .

Lykartsis, A.; Pysiewicz, A. (2018). Assessment of Feature Extraction Methods for Audio Fingerprinting [33]. Abstract/LBD Proceedings of the 19th International Society for Music Information Retrieval Conference .

Saitis, C.; Lykartsis, A.; Weinzierl, S. (2018). Verbal Data-Driven Semantic Dimensions of Musical Timbre [34]. Fortschritte der Akustik. Tagungsband d. 44. DAGA .

Manuel Anglada-Tort and Thomas Baker and Daniel Müllensiefen (2018). False memories in music listening: exploring the misinformation effect and individual difference factors in auditory memory [35]. Memory , 1-16.

Katz, B.F.G and Poirier-Quinot, D. and Postma, B.N.J. and Thery, D. and Luizard, P. (2018). Objective and perceptive evaluations of high-resolution room acoustic simulations and auralizations [36]. Proc. Euronoise2018 Conference, Heraklion, Greece, 27-31 May .

P. Luizard and C. d'Alessandro (2018). Effet des jalousies du récit d’orgue comme moyen d’expressivité musicale [37]. Proc. 14th Congrès Français d'Acoustique, Le Havre, France, 23-27 April .

P. Luizard and E. Brauer and S. Weinzierl and N. Henrich (2018). Vocal adaptation of singers to room acoustics [38]. Proc. DAGA (German Acoustical Society Conference), Munich, Germany, 19-22 March .

P. Luizard and E. Brauer and S. Weinzierl and N. Henrich (2018). The behavior of singers to adapt to various room acoustics [39]. Proc. Auditorium Acoustics Conference, Hamburg, Germany, 4-6 October .

Weinzierl, S. and Lepa, S. and Ackermann, D. (2018). A measuring instrument for the auditory perception of rooms. The Room Acoustical Quality Inventory (RAQI) [40]. Journal of the Acoustical Society of America 144(3), 1245–1257.

Weinzierl, S. and Lepa, S. and Schultz, F. and Detzner, E. and von Coler, H. and Behler, G. (2018). Sound power and timbre as cues for the dynamic strength of orchestral instruments [41]. Journal of the Acoustical Society of America 144(3), 1347–1355.

Lavia, Lisa and Witchel, Harry J. and Aletta, Francesco and Steffens, Jochen and Fiebig, André and Kang, Jian and Howes, Christine and Healey, Patrick G.T. (2018). Non-Participant Observation Methods for Soundscape Design and Urban Planning [42]. In: Aletta, Francesco and Xiao, Jieling (Ed.) Handbook of Research on Perception-Driven Approaches to Urban Assessment and Design Hershey, PA: IGI-Global, (pp. 73–99).

Greb, Fabian and Steffens, Jochen and Schlotz, Wolff (2018). Understanding music-selection behavior via statistical learning [43]. Music & Science 1(2), 205920431875595.

Kokabi, Omid and Brinkmann, Fabian and Weinzierl, Stefan (2018). Segmentation of binaural room impulse responses for speech intelligibility prediction [44]. The Journal of the Acoustical Society of America 144(5), 2793-2800.

Stefano Papetti and Charalampos Saitis (2018). Musical Haptics: Introduction [45]. In: Stefano Papetti and Charalampos Saitis (Ed.) Musical Haptics Cham, Switzerland: Springer, (pp. 1–7).

Christoph Reuter and Jörg Jewanski and Charalampos Saitis and Isabella Czedik-Eysenberg and Saleh Siddiq and Michael Oehler (2018). Colors and timbres – consistent color-timbre mappings at non-synesthetic individuals [46]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .

Charalampos Saitis and Hanna Järveläinen and Claudia Fritz (2018). The Role of Haptic Cues in Musical Instrument Quality Perception [47]. In: Stefano Papetti and Charalampos Saitis (Ed.) Musical Haptics Cham, Switzerland: Springer, (pp. 73–93).

Charalampos Saitis and Kai Siedenburg (2018). Bright strings versus bright trumpets: Acoustic and categorical dissimilarity of timbral brightness [48]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .

Steffens, Jochen and Lepa, Steffen and Herzog, Martin and Schönrock, Andreas and Egermann, Hauke (2018). ''Bridging the Semantic Gap'' - Kann der semantische Ausdruck von Musik mithilfe von akustischen Signaleigenschaften vorhergesagt werden? [49]. Fortschritte der Akustik - DAGA 2018 (München) .

Stefano Papetti and Charalampos Saitis (2018). Musical Haptics [50]. London: Springer.

Charalampos Saitis and Kai Siedenburg (2018). Exploring the role of source-cause categories in timbral brightness perception [51]. Proceedings of Timbre 2018: Timbre is a Many-Splendored Thing .

Charalampos Saitis and Athanasios Lykartsis and Stefan Weinzierl (2018). Verbal Data-Driven Semantic Dimensions of Musical Timbre [52]. Proceedings of DAGA 2018–-44. Deutsche Jahrestagung für Akustik .

Charalampos Saitis and Mohammad Zavid Parvez and Kyriaki Kalimeri (2018). Cognitive load assessment from EEG and peripheral biosignals for the design of visually impaired mobility aids [53]. Wireless Communications and Mobile Computing, Special Issue on Mobile Assistive Technologies 2018(Article ID 8971206), .

Fabian Brinkmann and Heinz von Loesch (2018). Tempo data from 50 performances of Beethovens Appassionata (Op. 57) [54]. https://dx.doi.org/10.14279/depositonce-7002 [55]

Aspöck, Lukas and Brinkmann, Fabian and Ackerman, David and Weinzierl, Stefan and Vorländer, Michael (2018). Eine Datenbank zur Validierung von akustischen Simulationen [56]. Fortschritte der Akustik textendash DAGA 2018 1337.

Charalampos Saitis and Kyriaki Kalimeri (2018). Multimodal classification of stressful environments in visually impaired mobility using EEG and peripheral biosignals [57]. IEEE Transactions on Affective Computing , .

Hermant, N. and Chouly, F. and Silva, F. and Luizard, P. (2018). Numerical study of the vibrations of an elastic container filled with an inviscid fluid [58]. ZAMM-Journal of Applied Mathematics and Mechanics/Zeitschrift für Angewandte Mathematik und Mechanik Wiley Online Library 98(4), 602–621.

Tom Baker and Manuel Anglada-Tort and Daniel Müllensiefen (2018). How Reliable is Memory for Music? Exploring False Memories in Music Listening [59]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Manuel Anglada-Tort and Katie Rose Sanfilippo (2018). Visualizing Music Psychology: Who, What, When, and Where? [60]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Ackermann, David and Ilse, Maximilan and Grigoriev, Dmitry and Lepa, Steffen and Pelzer, Sönke and Vorländer, Michael and Weinzierl, Stefan (2018). A Ground Truth on Room Acoustical Analysis and Perception (GRAP) [61]. https://dx.doi.org/10.14279/depositonce-7003 [62]

Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Der Einfluss der Herkunft von Musik auf deren ästhetische Bewertung und die erwarteten Nutzungskosten im Kontext der Werbung [63]. Proceedings of the 34. Jahrestagung der Deutschen Gesellschaft für Musikpsychologie: Musik im audiovisuellen Kontext .

Böhm, Christoph and Ackermann, David and Weinzierl, Stefan (2018). A Multi-channel Anechoic Orchestra Recording of Beethoven's Symphony No. 8 op. 93 [64]. https://dx.doi.org/10.14279/depositonce-6729 [65]

Manuel Anglada-Tort and Steve Keller and Jochen Steffens and Daniel Müllensiefen (2018). Consider the Source: The Effects of Source Bias on Professional Assessment of Music Quality and Worth [66]. Proceedings of the 15th International Conference on Music Perception and Cognition combined with the 10th triennial conference of the European Society for the cognitive Sciences of Music (ICMPC15-ESCOM10) .

Manoj Dinakaran and Fabian Brinkmann and Stine Harder and Robert Pelzer and Peter Grosche and Rasmus R. Paulsen and Stefan Weinzierl (2018). Perceptually motivated analysis of numerically simulated head-related transfer functions generated by various 3D surface scanning systems [67]. IEEE Int. Conf. Acoustics, Speech and Signal Processing (ICASSP) 551–555.

Brinkmann, Fabian and Weinzierl, Stefan (2018). Comparison of head-related transfer functions pre-processing techniques for spherical harmonics decomposition [68]. AES Int. Conf. on Audio for Virtual and Augmented Reality (AVAR) Redmond, USA , 1-10.

Manuel Anglada-Tort and Jochen Steffens and Daniel Müllensiefen (2018). Names and Titles Matter: The Impact of Linguistic Fluency and the Affect Heuristic on Aesthetics and Value Judgements of Music [69]. Psychology of Aesthetics, Creativity, and the Arts , .

Ackermann, David and Böhm, Christoph and Weinzierl, Stefan (2018). A Database on Musicians' Movements During Musical Performances [70]. https://dx.doi.org/10.14279/depositonce-7469 [71]

Schwab-Felisch, Oliver (2018). Verzerrte Instanzen. Struktur und Wahrnehmung musikalischer Schemata in Werken Beethovens und Schuberts [72]. Musiktheorie 33(1), 17–29.

Anglada-Tort, Manuel and Keller, Steve and Steffens, Jochen and Müllensiefen, Daniel (2018). Consider the Source: The Effect of Source Bias on Professional and Consumer Evaluation of Music Aesthetics and Expected Cost in Advertising [73]. submitted manuscript , .

Lepa, Steffen and Herzog, Martin and Peeters, Geoffroy and Steffens, Jochen and Wages, Richard and Egermann, Hauke (2018). A Knowledge-Based Recommender System for Music Branding [74]. submitted manuscript , .

Steffens, Jochen and Greb, Fabian and Schlotz, Wolff (2018). Patterns of situational cues and characteristics contributing to music listening in daily life: Towards a taxonomy of music listening situations [75]. Proceedings of the 15th International Conference on Music Perception and Cognition (ICMPC), Graz, Austria. .