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The Acoustic and Psychoacoustic Basis of Digital Synthesis and Signal Processing
Topic: The study of digital sound synthesis and signal processing can be greatly aided by a knowledge of acoustics and psychoacoustics, and in turn, digital audio research can enhance our understanding of sound and aural cognition. This seminar/lab will survey both historical and contemporary acoustic and psychoacoustic knowledge that relates to digital sound design and signal processing, with reference to both electroacoustic music and soundscape composition.
Topics will include traditional synthesis techniques (such as additive, FM and waveguide synthesis) and contemporary aspects of microsound (such as the frequency-time based approaches of granular synthesis and convolution). Acoustic and psychoacoustic topics will include pitch and timbre perception, loudness and volume, environmental sound propagation and binaural localization, sound-sound interaction, speech acoustics, auditory streaming and scene analysis.
Time and place
Period: 19.10.2015 - 14.12.2015
Week day / time: Monday 10 - 14 o'clock
Period: 04.01.2016 - 08.02.2016 (private office hours à 1 hour)
Week day / time: Monday 10 - 12 o'clock
Room: EN 324
Lecturers and tutors
Lecturer: Prof. Barry Truax
Tutor: David Runge
Timetable
19.10.2015 Historical (and personal) background re Electroacoustic &
Computer Music: Basic digital and digital synthesis theory;
vibration and periodicity
26.10.2015 Spectrum
2.11.2015 Timbre, pitch and psychoacoustics
9.11.2015 Non-linear synthesis models (modulation synthesis)
16.11.2015 Frequency-time models and granular synthesis
23.11.2015 Magnitude, decibel, loudness and volume
30.11.2015 Sound-Environment interaction and binaural hearing
7.12.2015 Sound-Sound interaction and auditory streaming
14.12.2015 Speech acoustics
Audiology and hearing loss
4.1.2016 - Compositional analysis and mentoring of student projects
8.2.2016
Registration
Registration: Registration for the seminar is done via a mailing list.
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