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Inhalt des Dokuments

COMPOSING IN AN ECOSYSTEMIC PERSPECTIVE

Inhalt:

Analysis and discussion of various compositional examples (with a focus on"live electronics" and sound installations), including a focus on technical set-ups, signal processing, the relationship to space, timbre, noise, and environment (feedback, nonlinear dynamics, emergent properties). Examples drawn from various authors, and of course from my own practical work as a composer. Programming examples in Kyma and Pure Data.


Bemerkung:

Medienkommunikation u. -technolgie MA -  Wahlpflicht
Kommunikationswissenschaft Mag -  Wahlpflicht 

 

 

Zeitraum und Ort

Zeitraum: 15.11.2007 - 14.02.2008

Wochentag / Zeit: Do 12:00-14:00 Uhr

Raum: EN 324

unterrichen Januar und Februar 2008 [1]

 

Dozenten und Tutoren

Ansprechpartner: Prof. Dr. S. Weinzierl
Dozent:  Prof. Agostino Di Scipio (Edgard-Varèse-Gastprofessor des DAAD)
Tutor:  Wilm Thoben

Weitere Informationen

Veranstaltungstyp: Seminar
Umfang: 2 SWS
Angebot im:
Voraussetzung:
Veranstaltungsnummer: 0135 L 368


Links

agostinos page [2]

prominski text [3] (ecosystem design)
Performance Ecosystems: Ecological approaches to musical interaction [4] by Simon Waters

feature-extractions and DSP of relevance to the seminar [5] 
audio feedback networks [6]
scores & instruction booklets [7] 
(Feedback Study, Background Noise Study
Modes of Interference1 and 3)


[8]

Material

materials used in the presentations

presentation1 [9]
presentation2 [10] 
presentation3 [11]
presentation4 [12]
presentation5und6 [13]
presentation7und8 [14]
presentation9und [15]10
presentation in emHoeren [16]
presentation in ForschungColloquim [17]

readings

Sound is the Interface [18]
Using PD for Live Interactions in Sound [19]
Emergence du son [20] (French)
Sur la notion d'emergence [21] (French) by Makis Solomos
score instructions (Reich, Lucier, Nono) [22]
Cybernetics (Circular Processes) [23] by Heylighen & Joslyn
Principles of the Self-Organizing System [24], by R.Ashby (excerpts)
Klangstaub [25] (German paper on Background Noise Study)

Pure Data patches

simple PD patches [26] (maps and control signals)
Modes of Interference / 1 patch [27] (feedback system with trumpet + electronics)
Modes of Interference / 3 patch [28] (sound installation, LAC07, Berlin)

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