Electroacoustic Music: Origins – Technology – Aesthetics

The series starts with an overview of early developments in electroacoustics relevant for electroacoustic music, such as loudspeaker design, film sound, recording techniques, stereophony, ambiophonics, artificial reverberation and
automation.
The series continues with discussing applications of these developments in
the production of electroacoustic music, in the presentation of
electroacoustic music to the public (such as the technique for the Philips
Pavilion), sound diffusion etcetera.
The third part of this series will look at these subjects from an artist's
perspective, discussing compositional starting points, applications of
electroacoustic music in concerts, radio, film and theatre.

Zeitraum:

Raum: EN 324

Dozent: Kees Tazelaar [1]

 Tutor: Andreas Pysiewicz

April 19,  10.00 - 12.00h (lecture)

May 3,     10.00 - 12.00h (lecture)
May 3,     18.00 - 20.30h (night session)
May 5,     10.00 - 13.00h, 14.00 - 17.00 (workshops)

May 17,   10.00 - 12.00h (lecture)

June 7,    10.00 - 12.00h (lecture)
June 9,    10.00 - 16.00h (workshops)

June 14, 10.00 - 12.00h (lecture)
June 14, 18.00 - 20.30h  (night session)

June 28/29 - Next Generation festival (ZKM, Karlsruhe)

July 18 - private consultations

Note:
One lecture is 90', a night session 3h, a workshop 6h.

course material (password protected) [2]