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TU Berlin

Inhalt des Dokuments

Übersicht

2013

Lepa, Steffen and Bleisteiner, Marcus and Fuss, Alexander and Steger, Dominik (2013): "Buildup, Breakdown and Drop. An initial experimental approach for explaining the emotional impact of DJ performances in Electronic Dance Music (EDM)" 3rd International Conference on Music & Emotion (ICME 3),



Lepa, Steffen and Hoklas, Anne-Kathrin and Guljamow, Martin and Weinzierl, Stefan (2013): "Wie hören die Deutschen heute Musik? Trends und Basisdaten zur musikbezogenen Audiomediennutzung 2012 in Deutschland" In: Media Perspektiven, (11), pp. 545–553.

Link zur Publikation

Lepa, Steffen and Hoklas, Anne-Kathrin and Weinzierl, Stefan (2013): "Survey Musik und Medien 2012: Empirische Basisdaten zur alltäglichen Musikrezeption in Deutschland" Forschungskolloquium Fachgebiet Audiokommunikation, Technische Universität Berlin,


Lepa, Steffen and Maempel, Hans-Joachim and Ungeheuer, Elena and Weinzierl, Stefan (2013): "Technology matters: An experimental exploration on how the spatial cues afforded by different audio playback devices shape the perceived emotional expression of mediatized music" 3rd International Conference on Music & Emotion (ICME 3),


Lepa, Steffen and Ungeheuer, Elena and Maempel, Hans-Joachim and Weinzierl, Stefan (2013): "When the medium is the message: An experimental exploration of ‘medium effects’ on the emotional expressivity of music dating from different forms of spatialization." 8th Conference of the Media Psychology Division of Deutsche Gesellschaft für Psychologie (DGPs),


Lepa, Steffen and Weinzierl, Stefan (2013): "Latent Class Analysis und Latent Transition Analysis als Werkzeuge zur Mixed-Method-Untersuchung von Mediatisierungsprozessen" SPP-Arbeitskonferenz Mediatisierungsprozesse in der Empirie: Methodendesigns zur Analyse von ‚Wandel‘,


Lindau, Alexander and Lepa, Steffen (2013): "Dynamische Binauralsynthese – ein Verfahren der virtuellen Akustik als Ansatz zur Untersuchung technologiebezogener Hypothesen im Rahmen medienpsychologischer Rezeptionsexperimente" Jahrestagung 2013 der Fachgruppe Methoden der Deutschen Gesellschaft für Publizistik und Kommunikationswissenschaft (DGPuk),


Lykartsis, Athanasios and Pysiewicz, Andreas and von Coler, Henrik and Lepa, Steffen (2013): "The Emotionality of Sonic Events : Testing the Geneva Emotional Music Scale (GEMS) for Popular and Electroacoustic Music" Proceedings of the 3rd International Conference on Music & Emotion (ICME3),


Preuß, Philipp and Lepa, Steffen (2013): "Alien Voices. Die akustische Inszenierung intergalaktischer Kommunikation im Science-Fiction-Film." Sonderausstellung "Glücksfälle - Störfälle. Facetten interkultureller Kommunikation,


Maempel, Hans-Joachim and Lindau, Alexander (2013): "Opto-acoustic simulation of concert halls – a data-based approach." In: Bildungswerk des VDT (Ed.) IN: Bericht der 26. Tonmeistertagung, Köln: , pp. 293-309.

Link zur Publikation

Egermann, Hauke (2013): "Linking Theories of Emotion-Induction to Applications in Audio Branding" In: Bronner,K. and Hirt, Rainer and Ringe, Cornelius (Ed.) IN: Audio Branding Yearbook 2012-2013, Baden-Baden: Nomos, pp. 155–166.


Egermann, Hauke and McAdams, Stephen (2013): "Empathy and emotional contagion as a link between recognized and felt emotions in music listening" In: Music Perception, 31(2), pp. 139-156.

Link zur Publikation

Egermann, Hauke and Kopiez, Reinhard and Altenmüller, Eckart (2013): "The Influence of Social Normative and Informational Feedback on Musically Induced Emotions in an Online Music Listening Setting" In: Psychomusicology. Music, Mind, and Brain, 31(1),

Link zur Publikation

Egermann, Hauke and Pearce, Marcus and Wiggins, Geraint and McAdams, Stephen (2013): "Probabilistic Models of Expectation Violation Predict Psychophysiological Emotional Responses to Live Concert Music" In: Cognitive Affective Behavioral Neuroscience, ,

Link zur Publikation

Ditter, David, Schmidt, Leonid, Tesmer, Nils, Egermann, Hauke (2013): "An Experimental Investigation on Empathy as an Emotion-Induction Mechanism in Music Listening" Proceedings of the 3rd International Conference on Music & Emotion,


Egermann, Hauke and Pearce, Marcus and Wiggins, Geraint and McAdams, Stephen (2013): "Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music" Proceedings of the 3rd International Conference on Music & Emotion,


Egermann, Hauke, Fernando, Nathalie, Chuen, Lorraine, McAdams, Stephen (2013): "Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies" Proceedings of the 3rd International Conference on Music & Emotion,


Lykartsis, A.; Pysiewicz, A.; Von Coler, H.; Lepa, S. (2013): "he Emotionality of Sonic Events: Testing the Geneva Emotional Music Scale (GEMS) for Popular and Electroacoustic Music" Proceedings of the 3rd International Conference on Music and Emotion,


Taehun Kim and Satoru Fukayama and Takuya Nishimoto and Shigeki Sagayama (2013): "Statistical Approach to Automatic Expressive Rendition of Polyphonic Piano Music" In: E. Mirand and A. Kirke (Ed.) IN: Guide to Computing for Expressive Music Performance, : Springer Verlag, pp. 145–180.


Zora Schärer Kalkandjiev and Stefan Weinzierl (2013): "Der Raum als Instrument. Zusammenhänge zwischen der Qualität der Akustik und der Spielweise von Interpreten" In: Vernonika Busch and Kathrin Schlemmer and Clemens Wöllner (Ed.) IN: Wahrnehmung - Erkenntnis - Vermittlung. Musikwissenschaftliche Brückenschläge. Festschrift für Wolfgang Auhagen, Hildesheim et al.: Georg Olms, pp. 167–178.


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2013): "The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians" In: To appear in the Computer Music Journal, Cambridge, MA, USA MIT Press ,


2012

Alexander Lindau and Linda Kosanke and Stefan Weinzierl (2012): "Perceptual evaluation of model- and signal-based predictors of the mixing time in binaural room impulse responses" In: J. Aud. Eng. Soc., 60(11), pp. 887-898.


Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012): "Engraving-Hammering-Casting: Exploring the Sonic-Ergotic Medium for Live Musical Performance" Proceedings of the International Computer Music Conference, pp. 387-390.

Link zur Publikation

Edgar Berdahl and Alexandros Kontogeorgakopoulos (2012): "The FireFader and Derivatives: Simple, Open-Source, and Reconfigurable Haptics for Musicians" Proceedings of the 9th Sound and Music Computing Conference, pp. 90-98.

Link zur Publikation

Edgar Berdahl and Julius O. Smith III (2012): "An Introduction to the Synth-A-Modeler Compiler: Modular and Open-Source Sound Synthesis using Physical Models" Proceedings of the Linux Audio Conference,

Link zur Publikation

Lindau, Alexander and Brinkmann, Fabian (2012): "Perceptual Evaluation of Headphone Compensation in Binaural Synthesis Based on Non-Individual Recordings" In: J. Aud. Eng. Soc., 60(1/2), pp. 54-62.


Schärer, Z. and Weinzierl, S. (2012): "Empirische Fallstudie zum Einfluss der Raumakustik auf die musikalische Interpretation" Fortschritte der Akustik: Tagungsband der 38. DAGA, pp. 619-620.

Link zur Publikation

Schmierer, Elisabeth (2012): "Instrumentalmusik und Text: Zu Henzes Instrumentalkonzerten auf literarische Themen" In: Abels, Norbert and Schmierer, Elisabeth (Ed.) IN: Hans Werner Henze und seine Zeit, Laaber and Oberpf: Laaber,


Abels, Norbert and Schmierer, Elisabeth (2012): "Hans Werner Henze und seine Zeit" Laaber and Oberpf: Laaber.


Maempel, H.-J. and Weinzierl, S. (2012): "Demands on measurement models for the perceptual qualities of virtual acoustic environments" 59th Open Seminar on Acoustics, pp. 149–154.


Heinz von Loesch and Brinkmann, Fabian (2012): "Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006) [In russisch]" In: Musykalnaja Akademija, (2), pp. 88-96.


Schmierer, Elisabeth (2012): "Einführung in das Faksimile" In: Richard Wagner (Ed.) IN: Wesendonck-Lieder (WWV 91): Fünf Gedichte für eine Frauenstimme mit Pianoforte-Begleitung. Das Faksimile, : Laaber-Verlag,


Loesch, Heinz von and Brinkmann, Fabian (2012): "Die Tempogestaltung in Artur Schnabels \emphAppassionata-Einspielung im Kontext zeitgenössischer Interpretationen" Beethoven 5 – Studien und Interpretationen, pp. 215-224.


Schärer, Z. and Weinzierl, S. (2012): "Empirische Fallstudie zum Einfluss der Raumakustik auf die musikalische Interpretation" Fortschritte der Akustik: Tagungsband der 38. DAGA, pp. 619-620.

Link zur Publikation

Michael Fowler (2012): "Soundscape as a design strategy for landscape architectural praxis" In: Design Studies, ,




Alexander Lindau and Stefan Weinzierl (2012): "Assessing the Plausibility of Virtual Acoustic Environments" In: Acta Acustic u. w. Acustica, 98(5), pp. 804-810.


Michael Fowler (2012): "Reading John Cage's Variations III as a Process for Generating Proto-Architectural Form" In: Leonardo, Art Science Technology, 45(1), pp. 34-41.


Michael Fowler (2012): "On the relationship between inside and outside: conceptualising acoustic space in John Cage's Variations IV" In: Architecture Theory Review, 17(1), pp. 158-177.


Egermann, Hauke, Gaulin, Myles, McAdams, Stephen (2012): "Perception and Emotional Effect of Fade-outs in Song Endings in Popular Music." Tagungsband der Jahrestagung der deutschen Gesellschaft fuer Musikpsychologie,


Egermann, Hauke, Fernando, Nathalie, Chuen, Lorraine, McAdams, Stephen (2012): "Cross-Cultural Emotional and Psychophysiological Responses to Music: Comparing Western Listeners to Congolese Pygmies" Proceedings of the 12th International Conference of Music Perception and Cognition,


Edgar Berdahl and Julius O. Smith III and Stefan Weinzierl and Gunter Niemeyer (2012): "Force-Sensitive Detents Improve User Performance for Linear Selection Tasks" In: IEEE Transactions on Haptics, Los Alamitos, CA, USA IEEE Computer Society 131(PrePrints), pp. 1.


Heinz von Loesch and Sven Werner and Fabian Brinkmann (2012): "Welches Tempo - welches Werk?" In: Schubert: Perspektiven, 12(1), pp. 33-46.


Weinzierl, S. and Maempel, H.-J. (2012): "Sind Hörversuche subjektiv? Zur Objektivität akustischer Maße" Fortschritte der Akustik: Tagungsband der 38. DAGA, pp. 315-316.

Link zur Publikation

Erbes, V. et al (2012): "An extraaural headphone system for optimized binaural reproduction" Fortschritte der Akustik: Tagungsband der 38. DAGA, pp. 313-314.

Link zur Publikation

Berdahl, Edgar and Smith III,Julius O. and Niemeyer, Günter (2012): "Feedback Control of Acoustic Musical Instruments: Collocated Control Using Physical Analogs" In: Accepted for publication in the Journal of the Acoustical Society of America, ,


Taehun Kim and Stefan Weinzierl (2012): "Phrase Boundary Estimation in Music Performance with HMM-based Unsupervised Learning" Proc. International Computer Music Conference, pp. 535–537.


Preuß, Philipp and Lepa, Steffen (2012): "Alien Voices - Die sonische Konstruktion des Fremden im Science Fiction" In: Zakharine, Dmitri (Ed.) IN: Die Elektrifizierte Stimme, Konstanz: University Press,


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