Publikationen

Lepa, Steffen (2010): "Jenseits des Films. Kritisch-realistische Rekonstruktion von Filmverstehen und Filmreflexion" Wiesbaden: VS Verlag für Sozialwissenschaften.

Lepa, Steffen and Geimer, Alexander (2007): "Jenseits des Films - Postmortem-Kino als Sinnagentur für jugendliche Häretiker?" In: Becker, Andreas R. and Hartmann, Doreen and Lorey, Don Cecil (Ed.) IN: Medien - Diskurse - Deutungen. Dokumentation des 20. Film- und Fernsehwissenschaftlichen Kolloquiums, Marburg: Schüren, pp. 36–43.

Lepa, Steffen and Floto, Christian (2005): "Audio-Vision als Konstruktion. Grundzüge einer funktionalistischen Audioanalyse von Multimedia und Film" In: Segeberg, Harro and Schätzlein, Frank (Ed.) IN: Sound. Zur Technologie und Ästhetik des Akustischen in den Medien, Marburg: Schüren, pp. 347–365.

Lepa, Steffen and Daschmann, Gregor (2007): "IMES - ein indirektes Messverfahren zur Evaluation von Sound Logos" In: Bronner, Kai and Hirt, Rainer (Ed.) IN: Audio-Branding. Entwicklung, Anwendung, Wirkung akustischer Identitäten in Werbung, Medien und Gesellschaft, München: R. Fischer, pp. 141–158.

Lepa, Steffen (2010): "Jenseits des Films: Kritisch-realistische Rekonstruktion von Filmverstehen und Filmreflexion" VS Verlag.

Lepa, Steffen (2007): "Instruktionspsychologie des Klangs. Die Rolle auditiver Elemente bei der multimedialen Wissensvermittlung" Saarbrücken: VDM - Verlag Dr. Müller.

Blüthmann, Irmela and Ficzko, Markus and Lepa, Steffen and Thiel, Felicitas (2008): "Evaluation der Studienorganisation in den Bachelorstudiengängen. Konstruktion eines Fragebogens" In: Berendt, Brigitte and Voss, Hans-Peter and Wildt, Johannes (Ed.) IN: Neues Handbuch Hochschullehre. Lehren und Lernen effizient gestalten. Abschnitt I - Evaluation, Berlin: Raabe

Ehrenspeck, Yvonne and Geimer, Alexander and Lepa, Steffen (2008): "Inhaltsanalyse" In: Sander, Uwe and von Gross, Friederike and Hugger, Kai-Uwe (Ed.) IN: Handbuch Medienpädagogik, Wiesbaden: VS - Verlag für Sozialwissenschaften, pp. 351–355.

Lepa, Steffen (2011): "Attuning with the Artwork - Theodor Lipps' Concept of Aesthetische Einfühlung and the Case of Mediatized Music" Stimmungen - Climates - Moods - Atmospheres, Edinburgh (UK): German Studies DAAD Summer School for Postgraduates

Lepa, Steffen (2012): "Emotionale Musikrezeption in unterschiedlichen Alltagskontexten: Eine wahrnehmungsökologische Perspektive auf die Rolle der beteiligten Medientechnologien" In: Schröter, Jens and Vollmar, Axel (Ed.) IN: Auditive Medienkulturen. Techniken des Hörens und Praktiken der Klanggestaltung, Bielefeld: Transcript

Lepa, Steffen (2010): "Media Appropriation from a Critical Realist Point of View? Theoretical Premises and Empirical Research" In: da Silva, Augusto Soares and Martins, José Cândido and Magalháes, Luísa and Goncalves, Miguel (Ed.) IN: Comunicação, Cognição e Media. Volume 1, Braga (Portugal): Aletheia, pp. 379–390.

Lepa, Steffen (2012): "Was kann das Affordanzkonzept für eine Methodologie der Populärkulturforschung leisten?" In: Kleiner, Marcus S. and Rappe, Michael (Ed.) IN: Methoden der Populärkulturforschung: Interdisziplinäre Perspektiven auf Film, Fernsehen, Musik, Internet und Computerspiele, Münster: Lit-Verlag, pp. 273–298.

Geimer, Alexander and Lepa, Steffen (2006): "Rekonstruktion individueller Lesarten eines postmodernen Films zur Todesthematik mittels der Analyse schriftlicher Film-Nacherzählungen" In: Hißnauer, Christian and Jahn-Sudmann, Andreas (Ed.) IN: medien - zeit - zeichen. Dokumentation des 19. Film- und Fernsehwissenschaftlichen Kolloquiums, Marburg: Schüren, pp. 173–179.

Kim, Tae Hun and Fukayama, S. and Nishimoto, T. and Sagayama, S. (2011): "Polyhymnia: Automatic piano performance system with statistical models of polyphonic expression and interpretation of musical symbols" Proceedings of Spring Meeting Acoustic Society Japan, , pp. 1079-1080.

Kim, Tae Hun and Fukayama, S. and Nishimoto, T. and Sagayama, S. (2010): "Performance rendering for piano music with a combination of probabilistic models for melody and chords" Information Processing Society Japan Technical Report, , pp. 1-6.

Kim, Tae Hun and Fukayama, S. and Nishimoto, T. and Sagayama, S. (2011): "Polyhymnia: An automatic piano performance system with statistical modeling of polyphonic expression and musical symbol interpretation" Proceedings of the 11th int'l conference on New Interfaces for Musical Expression (NIME), , pp. 96-99.

Kim, Tae Hun and Fukayama, S. and Nishimoto, T. and Sagayama, S. (2010): "Performance rendering for polyphonic piano music with a combination of probabilistic models for melody and harmony" Proceedings of the 7th int'l conference on Sound and Music Computing (SMC), , pp. 23-30.

Fukayama, S. and Nakatsuma, K. and Sako, S. and Yonebayashi, Y. and Kim, Tae Hun and Wei, Qin Si and Nakano, T. and Nishimoto, T. and Sagayama, S. (2009): "Orpheus: Automatic composition system considering prosody of japanese lyrics" Proceedings of the Int'l Conference on Entertainment Computing (ICEC), Berlin: Springer Verlag, pp. 309-310.

M.A.J. Baalman and D. Plewe (2004): "WONDER - a software interface for the application of Wave Field Synthesis in electronic music and interactive sound installations" International Computer Music Conference 2004, Miami, 1-6 November 2004,

M.A.J. Baalman (2004): "Application of Wave Field Synthesis in electronic music and sound installations" 2nd International Linux Audio Conference, 29 april - 2 Mai 2004, ZKM, Karlsruhe,

Baalman, M.A.J. (2005): "Discretisation of complex sound sources for reproduction with Wave Field Synthesis" DAGA '05, 14 - 17 March 2005, München,

Baalman, M.A.J. (2005): "Updates of the WONDER software interface for using Wave Field Synthesis" 3rd International Linux Audio Conference, April 21-24, 2005, ZKM, Karlsruhe,

Baalman, M.A.J. (2005): "Elevation problems in the auralisation of sound sources with arbitrary shape with Wave Field Synthesis" ICMC 2005, 1-6 September 2005, Barcelona, Spain,

Baalman, M.A.J. (2006): "swonder3Dq: Auralisation of 3D objects with Wave Field Synthesis" 4th International Linux Audio Conference, April 27-30, 2006, ZKM, Karlsruhe,

M.A.J. Baalman (2006): "Reproduction of arbitrarily shaped sound sources with Wave Field Synthesis - Theory and Implementation" Tonmeistertagung 2006, Leipzig, 16-19 November 2006,

Marije A.J. Baalman and Torben Hohn and Simon Schampijer and Thilo Koch (2007): "Renewed architecture of the \textitsWONDER software for Wave Field Synthesis on large scale systems" Linux Audio Conference 2007, TU Berlin, 22-25 March 2007,

Marije A.J. Baalman (2007): "Reproduction of arbitrarily shaped sound sources with Wave Field Synthesis - physical and perceptive effects" AES 122nd Convention, Vienna, 5-8 May 2007,

Daniel Grigsby and Marije A.J. Baalman and Christopher L. Salter (2007): "Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theater Performance" New Interfaces for Musical Expression (NIME) 2007, New York, USA, June 6-10, 2007,

Loesch, Heinz von and Brinkmann, Fabian (2011): "Das Tempo in Beethovens Appassionata von Frederic Lamond (1927) bis András Schiff (2006)" In: Loesch, Heinz von and Weinzierl, Stefan (Ed.) IN: Gemessene Interpretation. Computergestützte Aufführungsanalyse im Kreuzverhör der Disziplinen, Mainz et al.: Schott, pp. 83-100.

Brinkmann, F and Lindau, A (2010): "On the effect of individual headphone compensation in binaural synthesis" DAGA, Berlin, Germany: , pp. 1055-1056.

Straebel, Volker (2010): "Vom Verschwinden der Klangkunst. Der Begriff der Klangkunst als wissenschaftsgeschichtliches Konstrukt" In: Kiefer, Peter (Ed.) IN: Klangräume der Kunst, Heidelberg: Kehrer, pp. 53–60.

Straebel, Volker (2008): "Zur frühen Geschichte und Typologie der Klanginstallation: Klangkunst" In: Tadday, Ulrich (Ed.) IN: Klangkunst, München: Edition Text+Kritik, pp. 24–46.

Straebel, Volker (2010): "The Sonification Metaphor in Instrumental Music and Sonification's Romantic Implications: Proceedings of the 16th International Conference on Auditory Display" Proceedings of the 16th International Conference on Auditory Display, Washington, D.C.: International Community for Auditory Display, pp. 287–294.

Straebel, Volker (2009): "Musikalisierung der Kunst als Schrecken des Nichts. Beobachtungen bei Jens Brand" In: Himmelsbach, Sabine and Edith-Ruß-Haus für Medienkunst (Ed.) IN: Jens Brand, Book, Heidelberg: Kehrer, pp. 24–31.

Straebel, Volker (2008): "'The composer becomes part of a creative circuit.' – Vladimir Ussachevsky's early aesthetic judgement regarding the new medium of tape music" National Conference of the Society for Electroacoustic Music in the United States (SEAMUS), University of Utah Salt Lake City:

Straebel, Volker (2011): "Werkbegriff und Partitur-Metapher in Sol LeWitts wall drawings" Sol LeWitt Symposium, Berlin: Art Laboratory Berlin

Straebel, Volker (2010): "Unique or reproducible: the performative aspects of media-specific artist records: Study Group Conference" Study Group Conference "Music and Media" (MaM), International Musicological Society (IMS), Berlin:

Straebel, Volker (2009): "John Cage's Reception of Italian Futurism" Festival Internazionale di Musica Elettroacustica del Conservatorio S. Cecilia, Rom:

Straebel, Volker (2009): "The 'Project for Magnetic Tape' (1952/53): Challenging the Idea of a Critical Edition of Historic Music for Recording Media" Music: Notation and Sound, joint conference of the International Association of Music Libraries (IAML) and the International Musicological Society (IMS), Amsterdam:

Berdahl, Edgar (2011): "FireFader: A single degree-of-freedom force-feedback device for multimodal interaction with physical models" 162nd Meeting of the Acoustical Society of America, San Diego, CA:

Berdahl, Edgar and Chafe, Chris (2011): "Autonomous New Media Artefacts (AutoNMA)" Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway: , pp. 322-323.

Berdahl, Edgar and Ju, Wendy (2011): "Satellite CCRMA: A Musical Interaction and Sound Synthesis Platform" Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway: , pp. 173-178.

Berdahl, Edgar and Florens, Jean-Loup and Cadoz, Claude (2011): "Using Physical Models is Necessary to Guarantee Stabile Analog Haptic Feedback for Any New User and Haptic Device" Proceedings of the 8th Sound and Music Computing Conference, Padua, Italy:

Verplank, Bill and Berdahl, Edgar (2011): "Assertive Haptics for Music" Proceedings of the Fifth International Conference on Tangible, Embedded, and Embodied Interaction, Funchal, Portugal: , pp. 25-29.

Berdahl, Edgar and Niemeyer, Günter and Smith III, Julius O. (2010): "Haptic interaction for music with unrestricted freedom of the musician's motion: Promoting augmented interaction with physical tools" 159th Meeting of the Acoustical Society of America, Baltimore, MD:

Berdahl, Edgar and Ju, Wendy and Smith III, Julius O. (2010): "Homemade Digital Musical Instruments" 159th Meeting of the Acoustical Society of America, Baltimore, MD:

Berdahl, Edgar and Harris, Dan and Niemeyer, Günter and Smith III, Julius O. (2010): "An electroacoustic sound transmission system that is stable in any (dissipative) acoustic environment: An application of sound portholes" Proceedings of NOISE-CON 2010 in conjunction ith the 159th Meeting of the Acoustical Society of America, Baltimore, MD:

Berdahl, Edgar and Harris, Dan (2010): "Frequency Shifting For Acoustic Howling Suppression" Proceedings of the 13th International Conference on Digital Audio Effects, Graz, Austria:

Berdahl, Edgar and Harris, Dan (2010): "Smart Microphone for Howling Prevention: A context-aware audio device" Proceedings of the IEEE Workshop on Signal Processing Systems, San Francisco, CA: , pp. 472-477.

Berdahl, Edgar and Smith III, J.O. and Niemeyer, Günter (2010): "Mechanical Sound Synthesis: And the new Application of Force-Feedback Teleoperation of Acoustic Musical Instruments" Proceedings of the 13th International Conference on Digital Audio Effects (DAFx-10), Graz, Austria: