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TU Berlin

Inhalt des Dokuments

Studio 1

Rebuild 1996, 76 sqm, diffused and dry acoustic, 12 Meyer-loudspeakers UPL-1 with variable hanging mechanism 30 degrees (5.1, 6.1 & 7.1 surround-compatible)

Renewed 2011: MADI-based software controlled matrix-system with 256 in and out, continuously updated

Hardware

  • self-developed matrix system for routing, monitoring and metering:
    • MacPro with two MADI-PCIe-boards, 128 channel I/O each (SSL MadiXtreme 128) 
    • software written by Andre Bartetzki (in SuperCollider3)
    • motorized MIDI controller (Mackie-Control Pro + Mackie-Control Extension)
    • 8 channel digital microphone preamplifier (RME Micstasy)
    • 16 channel D/A converter (RME M16 DA)
    • 32 channel AD/DA converter (D.O.TEC Andiamo)
    • 64 channel MADI/ADAT converter (RME ADI 648)
    • wordclock generator mutes iD
    • headphones amplifier / distributor
    • Firewire / USB audio interface for laptops (RME FireFace UFX)
  • 12 Meyer UPL-1 (30 degrees)
  • 2 Klein&Hummel O300d
  • Audioworkstations:
    • Mac Pro 1,1 PCIe -- Dual-Core Intel Xeon 2.66 GHz; Bus 1.33 GHz; RAM 7 GB;
      Four S-ATA-HDs: 466 GB + 3 times 233 GB
      USB-Extension ICRON USB-Ranger, 2 RGB-Monitors
      RME HDSP Madi; Midi-IF (Peripherals)
  • analog Synthesizer SynLab with 15 Moduls
    4 VCA, 5 VCO, 4 ADSR, 2 VCF, 2 RM, 2 S&H, 2 noise G&F, 2 Env-Followers, 4 long DC-faders, 16 MIDI to 12-Bit-DACs
  • Peripherals:
    Eventide DSP4000, CD-Player, DVD-Player with Surround-Out
    Projector (VGA, DVI, HDMI, S-Video) 
    Midi-Equipment: Controler MotorMix
  • Ethernet-Connections

Studio 2

46 sqm, diffused and dry acoustic, 8 speakers with variable hanging mechanism, 45 Degrees, 21 speaker sound dome (fixed angle), 192 channel wave field synthesis system


Renewed 2010: MADI-based software controlled matrix-system with 256 MADI I/O + 128 DANTE I/O, continuously updated

Hardware

  • self-developed matrix system for routing, monitoring and metering:

    • MacPro with two MADI-PCIe-boards, 128 channel I/O each (SSL MadiXtreme 128) 
    • software written in SuperCollider3
    • motorized MIDI controller (iCon QCon)
    • 8 channel digital microphone preamplifier (RME Octamic)
    • 24 channel AD/DA, 24 channel AES/MADI converter (SSL XLogic Alpha-Link SX)
    • 24 channel AD/DA, 24 channel ADAT/MADI converter (SSL XLogic Alpha-Link AX)
    • wordclock generator mutes iD
    • headphones amplifier / distributor
    • Firewire / USB audio interface for laptops (Focusrite Scarlett 18i20)

  • 8 Meyer UPL-1
  • small WFS system: 192 channels, 64 virtual sound sources, Dante based audio-over-IP distribution, OSC-controlled 
  • sound dome: 21 periphonic loudspeakers (Genelec 8020 CPM)
  • Audioworkstation:
    MacPro, 2 RGB-Monitors
    RME HDSP Madi; 
  • Peripherals & Effects:

    • CD-Player;
    • Publison IF 90 / 5.1 sec; 
    • projector (VGA, DVI, HDMI, S-Video)

Software

Macintosh (OSX 10.6):

  • ProTools HD 9.05, 8.0, 7.3 , Pro Tools 9 and partly LE: 6.4 / 6.9 /; digidesign DINR 7, Machine-Control 2.0
  • WAVES-Plugin 7.0: Platinum-Bundle, IR-360, Restauration, Transform
  • GRM-Tools 3 Classic, ST, Evolution
  • FLUX Ircam Tool (Spat / Verb / Trax)
  • Logic Pro 9
  • Digital Performer 7
  • Peak 4 & 5 & 6
  • Cubase-VST;
  • Live 8 Suite incl. Max for Live
  • Csound
  • Soundhack
  • IRCAM-Software CAO/CAC, Sound Design/Real Time (AudioSculpt 2.8, Patchwork, SVP, Mosaic)
  • MAX/MSP 5.0 / 4.6 & Jitter 1.5,
  • Supercollider 3,
  • Reaktor 5,
  • Melodyne 3
  • apb-tools THS and THS-Video-engine
  • Final Cut Studio (Final Cut Pro 5, DVD Studio Pro 4 e.a.), Quicktime Pro 7
  • DTS Pro Series Surround Encoder Software 96/24 and ES Encoder für Mac und PC
  • others:
    Roxio Toast 8 & JAM 6, FileMaker Pro 8.5, Golive CS, Finale 2006, BBedit 8, MS Office X 10, the Virtual Orchetsra, CDFinder 5

Additional Hardware

  • Speakers:

    • 4 d&b F1, with controler-amplifier; stands
    • 2 d&b B1 with controler-amplifier
    • 2 d&b E1 with controler-amplifier ; stands
    • 2 passiv and 5 active Altec-voice-of-the-theatre;
    • 3 K&H O86
    • 16 stands for Meyer UPL-1
    • various other Speakers, low and high qualities
    • 10 Fostex Personal Monitors

  • Mixers:

    • Yamaha DM 1000 mk2 with AES- / ADAT-Cards (16 channels each)
    • Yamaha 02R with Cards: AES/EBU, ADAT, TDIF, AD/DA
    • analog Mixers: Soundcraft S8000 23 B 32/8/2;
    • Mackie CR-1604;
    • Hill Multimix

  • Tape Recorders digital:

    • DA-88 with TC-Card
    • portable DAT Tascam DA-P1;
    • ADAT-XT
    • two PCM 701with Umatic or Beta PAL/Secam, SVHS HiFi

  • Tape Recorders analog

    • quarter inch: 2 Telefunken M15A, 2 Studer R80
    • half inch 4-track Telefunken M15
    • one-inch 4- and 8-track Telefunken (M10, M15A)
    • Compander: 16 Dolby-A, 4 dBx, 24 Telcom

  • Audio-Interfaces:

    • RME FireFace 800
    • two Motu 828
    • M-Audio ProFire Lightbridge
    • four Marian ADCON (adat to analog / analog to adat)
    • RME OctaMic (8-channel analog to AES/EBU)

  • 2 Behringer Powerplay Pro (Headphone amp)
  • Mikrophones:
    Neumann (SM 69, 2 M269c; RSM 190i, KU 81i, KM184),
    Sennheiser MKE 2 and 6 other dynamic Mics
    two Microtech Gefell M 930 (sponsored by Microtech)
    B&K 4503 with DeltaTron Power Supply WB 1372
  • IRCAM AtoMIC Pro Midi-IF
  • Gluion-OSC-Interface (Kartadinatar)
  • Apple IPad
  • PQ Labs G3 Mulitouch Overlay (sponsored by PQ Labs)

  • other "older" Equipment:

    • MIDI: Akai S1000 (18 MB); Roland CP 40; MIDI-Projection-system MD12 (MIDI-controlled Kodak-Caroussel); 2 Yes-Audio MIDI-Faders;
    • Yamaha Keyboard SO3, 2 mt4 and 2 amt8
    • Synclavier II (16 voices, Sample to disk, VT 100_GB, 20 MB Disk)
    • old SCSI-HD (4-GB, 270 MB-Syquest, 44 MB Syquest)
    • Cooper CS10

Zusatzinformationen / Extras

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